Ron Padgett, "Joe Brainard's Painting Bingo" & "The Austrian Maiden"
LISTEN TO THE SHOW
Al Filreis brought together James Berger and Richard Deming (who traveled together from Yale) and Sophia DuRose to talk about two poems by Ron Padgett. The poems are “The Austrian Maiden” and “Joe Brainard’s Painting Bingo.” Our recording of “The Austrian Maiden” comes from a February 26, 2003, reading Padgett gave at the Kelly Writers House; the poem had just recently been published in Padgett’s book You Never Know (2002). The recording of “Joe Brainard’s Painting Bingo” — a poem published in Great Balls of Fire (1969) — was performed at a November 20, 1979, reading given at a location that is now (sadly) unknown. That reading in its entirety is available at Padgett’s PennSound page; the recording comes to us courtesy of the Maureen Owen Collection of Greenwich Village Poetry, now housed at the Yale Beinecke Rare Book and Manuscript Library.
April 17, 2024
Browsing Jalada Magazines Latest Issue: Language
Browsing Jalada's 'Language Issue'
This is the first in a series of posts about contemporary African poetry and where to find it. The series borrows its title from an album by the great South African pianist Dollar Brand (now Abdullah Ibrahim). First released in 1974, the album seems a perfect mirror of what’s most exciting about the writing and publishing coming out of Africa (and its recent diasporas) these days. The album opens with Ntsikana’s Bell, a song attributed to a Xhosa figure influential in Africanizing Christianity in the seventeenth century, and the other tracks draw on Swazi and Muslim influences. The album’s hopeful declaration of a present anchored in indigenous histories and honoring diversity resounds through the communities of writers and readers increasingly accessible through internet publishing, new presses, and a variety of audio formats. For lovers of poetry, there is good news from Africa.
Jalada is a “pan-African writers collective” based in Nairobi that has been publishing anthologies of new writing on-line since early 2014. They publish poetry alongside fiction, photographs, essays and reviews, as well as occasional interviews – or Jalada Conversations. Their most recent (and largest) anthology just came out this week, and it looks like a game-changer. Each issue is assembled around a theme and this quarter’s, The Language Issue, brings one of the most long-running debates in African writing – what binds such a vast diversity of locations and cultures together, and how do we reconcile the imperative to enrich local vernaculars with literature and the access that a lingua franca like English, Arabic or Kiswahili enables.