A conversation between Joseph Harrington and H. L. Hix
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Barnett Newman at the National Gallery
A series of black-and-white paintings
In the new building at the National Gallery in DC, I saw Barnett Newman's series of paintings--done between 1958 and 1966--called "The Stations of the Cross." The Stations of the Cross series of black and white paintings, begun shortly after Newman had recovered from a heart attack, is usually regarded as the peak of his achievement. The series is subtitled "Lema sabachthani" - "why have you forsaken me" - words said to have been spoken by Jesus on the cross. Newman saw these words as having universal significance in his own time. The series has also been seen as a memorial to the victims of the holocaust.