An in-person reunion of favorite colloquists after a year of planning: Al Filreis met up with Maxe Crandall (traveling from Oakland), Larissa Lai (having flown in from Calgary), and Julia Bloch (who walked five minutes through campus) — in the Arts Café of the Kelly Writers House. They talked about two prose poems in Harryette Mullen’s collection Sleeping with the Dictionary, published by California in 2002. The poems are “Dim Lady” and the title poem, “Sleeping with the Dictionary.” Our recordings of Mullen’s performance of these two pieces — they can be heard here and here — come from episode #92 (aired in 2005) of Leonard Schwartz’s radio show, Cross Cultural Poetics, an interview/conversation in which Schwartz and Mullen devoted the entire program to Sleeping with the Dictionary.
In this PennSound podcast, Christy Davids talks with Montréal writer Gail Scott about her recent release Permanent Revolution (Book*hug Press, 2021), a compilation of new and revised essays, including work that originally appeared in Scott’s foundational feminist text, Spaces Like Stairs (Women’s Press, 1996).
Al Filreis convened Matvei Yankelevich, Ahmad Almallah, and Kevin Platt at the Kelly Writers House to talk about two poems by Eugene Ostashevsky: “The Anatomy of Monotony” [audio] and “Language” [audio]. They were included in The Unraveller Seasons (2000). The recordings of the two poems we use in this episode come from a 2005 reading at the Bowery Poetry Club in New York, available at Ostashevsky’s PennSound page.
In this PennSound podcast, Jeff T. Johnson and Emily Abendroth exchange perspectives on how modular, nonlinear writing can open into enactive relationships that press readers and listeners alike beyond individual experience toward “critical empathy” and its relational tactics and strategies for living in common amidst social struggles that require collective reflection and navigation.
Al Filreis and three interlocutors — Kristen Gallagher, Lee Ann Brown, and Laynie Browne — met up at the Kelly Writers House in Philadelphia to talk about Diane di Prima’s collection (and ongoing project) of quasi-epistolary poems, Revolutionary Letters. The group discussed three poems: #16 (“We are eating up the planet”), #19 (“If what you want is jobs”), and #27 (“How much can we afford to lose before we win”). Di Prima began writing the letters in 1968, and they were first gathered and published by City Lights in 1971. A red-covered fiftieth anniversary edition was issued by City Lights in 2021. Our recordings of di Prima performing these three poems come from various sources and are available at the di Prima PennSound page: for #16 we hear a a recording made in 1969, while for #19 we have undated tape (possibly 1982), and for #27we hear a performance given at Naropa in 1978.