Christine Nelson, Davy Knittle and Erica Baum joined Al Filreis to talk about Erica’s Dog Ear,a book of photograph-poems, in which each poem is a meticulous reproduction of a dog-eared page of a mass-market paperback photographed to isolate the small, diagonally bisected squares or rectangles of text.
J. C. Cloutier, Michelle Taransky, and Clark Coolidge joined Al Filreis to talk about Jack Kerouac’s Old Angel Midnight, a sprawling work of prose poetry consuming forty pages of the Library of America Kerouac: Collected Poems. A recording of Kerouac performing the first page is available here. His model was Joyce’s Finnegans Wake. Up late in the Low East Side, he listened for sounds coming through a tenement window from the court below and made words of them. Such making is the plot of the book. The effort sometimes results in what Clark Coolidge has called “babble flow.” Old Angel Midnight is an interlinguistic record of voices augmented by “neologisms, mental associations, puns and wordmixes” and “nonlanguages.”
On March 26, 2003, before an audience gathered for an event sponsored by the SUNY Buffalo Poetics Program, David Antin performed a fifty-minute talk-poem called “War.” It seems to have been a tense gathering. The second US incursion into Iraq had begun six days earlier, led by George W. Bush, who features prominently in Antin’s talk that evening. After delivering “War” this once, Antin apparently never transcribed it — nor apparently then, in his usual mode, lineated this talk-poem. Did he not sufficiently value it, then or later? Is it perhaps too unlike his usual talking performance? Perhaps it too directly referred to the political problem of the moment in relation to the poet’s work?
Al Filreis, Anna Strong Safford, Zach Carduner, and Chris Martin took PoemTalk on the road where they met up with Stephen Willey and Luke Roberts at Birkbeck University of London for a discussion of Sean Bonney's Happiness. Twenty pages of Happiness were included in Letters Against the Firmament. The group focused on the first four pages or poems or sections of Happiness (pp. 120—23). Sean Bonney’s PennSound author page hosts three different recordings (two audio and one video) of his readings from this long poem (1, 2, 3). The version used here was the one recorded in London in 2011.