Thanks to the efforts of PennSound staffer Luisa Healey, we are now making available segmented (poem-by-poem) recordings of Rodney Koeneke’s Segue Series reading, given at the Bowery Poetry Club in New York City on November 6, 2004.
Thanks to the careful work of PennSound staffer Luisa Healey, Erin Moure’s PennSound page now includes a segmented (by poem and discussion topic) audio recording of Erin’s 2007 reading at the Kootenay School of Writing in Vancouver. Here, for instance, is a six-minute segment on noise and access.
One of the real delights of my recent visit to Montreal: visiting Monastiraki and meeting Billy Mavreas. Above is a photo of Billy in the shop. The offer fine prints, art and gig posters, small press, zines, and art objects by some of Montreal’s most unique artists. Overflowing with paper ephemera and vintage found treasures, the space is an assemblage of things Billy and his colleagues love. The shop has been very supportive of the community of experimental poets.
Here is a link to an edited/condensed version of our original thirty-three-minute ModPo video featuring a close reading of two poems from Harryette Mullen’s Sleeping with the Dictionary. It has been added to the main syllabus of ModPo, the free, open, noncredit online course on modern and contemporary US poetry.
Recently I released an episode of PoemTalk in which Clark Coolidge — who has long advocated that Jack Kerouac be taken seriously as an experimental poet, indeed a sound poet — and others joined me to discuss a few sections of Kerouac’s Old Angel Midnight. I usually try to understand general responses to new PoemTalk episodes. For this one I was especially keen. How is Kerouac viewed within the poetry community? Doubtfully, I would think.