A few years ago, reading through issues of the now-defunct Sentence: A Journal of Prose Poetics started me thinking about the prose poem in terms of difference between Canada and the United States. As much overlap as our two countries have, the evolution of the nebulously-termed “prose poetry” has been different, and yet, at least on this side of the border, the form hasn’t been (for what I’ve been able to find) much explored in terms of possibility, genealogy and influence. Back in May 2012, as a prelude to composing a possible essay to explore the subject, I sent out an email to a variety of individuals, and even a couple of list-serves, seeking information:
The Canadian prose poem
Notes toward an essay I haven’t quite written
A few years ago, reading through issues of the now-defunct Sentence: A Journal of Prose Poetics started me thinking about the prose poem in terms of difference between Canada and the United States. As much overlap as our two countries have, the evolution of the nebulously-termed “prose poetry” has been different, and yet, at least on this side of the border, the form hasn’t been (for what I’ve been able to find) much explored in terms of possibility, genealogy and influence. Back in May 2012, as a prelude to composing a possible essay to explore the subject, I sent out an email to a variety of individuals, and even a couple of list-serves, seeking information: