Ron Padgett, "Joe Brainard's Painting Bingo" & "The Austrian Maiden"
LISTEN TO THE SHOW
Al Filreis brought together James Berger and Richard Deming (who traveled together from Yale) and Sophia DuRose to talk about two poems by Ron Padgett. The poems are “The Austrian Maiden” and “Joe Brainard’s Painting Bingo.” Our recording of “The Austrian Maiden” comes from a February 26, 2003, reading Padgett gave at the Kelly Writers House; the poem had just recently been published in Padgett’s book You Never Know (2002). The recording of “Joe Brainard’s Painting Bingo” — a poem published in Great Balls of Fire (1969) — was performed at a November 20, 1979, reading given at a location that is now (sadly) unknown. That reading in its entirety is available at Padgett’s PennSound page; the recording comes to us courtesy of the Maureen Owen Collection of Greenwich Village Poetry, now housed at the Yale Beinecke Rare Book and Manuscript Library.
April 17, 2024
Correlativ(e/o)
In his entry for The Princeton Encyclopedia of Poetry and Poetics (2012) on the “objective correlative,” Louis Menand notes that since 1980, the term has appeared in several hundred scholarly articles.[1] There’s also no shortage of forebears of Eliot’s concept, including Washington Allston, Arthur Fairchild, Pater, Coleridge, and Schiller. Robert Stallman’s The Critic’s Notebook (1950) is efficient in staging that conversation; in fact, The Critic’s Notebook in many respects is a textual performance that parallels the objective correlative.