The Sickbed

On pain, love, ekphrasis, and Craig Dworkin's 'Dure'


“It is extraordinarily enduring.”

v. to last; to suffer continuously. Or, to harden. In good sense, to make sturdy or robust; to strengthen. Also, of things, to permit of, or be compatible with. Drawing from scar, from mirror. Verse formed from the heart’s tear. A letter that one is scared into. Afraid for. “We are nostalgic not for what we no longer have, but for what we never had in the first place, and what we never, at the time, thought to miss, or even notice.”

It is the measuring of time that causes each pain to remain.

A global regional poetics

A review of 'A Community Writing Itself'

The literary interview is a genre whose value is as likely to be taken for granted as it is ignored. Yet at their best, interviews with writers can be unique sources of knowledge. More casual than scholarly essays and often less packed with specialized vocabulary, literary interviews, when done well, can cover quite a range: information about writers’ lives and feelings about their lives; precise details about composition; essential historical context for thinking about writers’ works; chances for writers to talk about what they think their writing has most essentially explored.

The gap in the throat

A review of 'The Orphan and Its Relations'

As Elizabeth Robinson shows in her collection The Orphan and Its Relations, it is possible to unloose the primal loss of the orphan and apply it to all losses — from a strip of fabric to a tooth to a father to one’s humanness — so that the world becomes a nexus, contrarily, of loss.

Prefacing a new book on E-Poetry

On the tenth anniversary of the Electronic Poetry Festival

uSurp performing "ePoetry."
uSurp performing "ePoetry."

I’m completing this book having recently participated in the 2011 E-Poetry Festival. For my own part, as a performer, I assembled a panhemispheric musical group named grope uSurp, comprised of other multimedia artists and friends attending the festival; Lucio Agra, John Cayley, Stephen Cope, Andrew Klobucar, Siew-wai Kok, and Eugenio Tisselli joined me onstage. One of our pieces, proposed by Cayley, remade a Neil Young lyric (“Albuquerque”) that was particularly apt to the gathering. In one verse Cayley sings, “I’ve been flying / through the code / Words are starving / to loose their hold” (E-Poetry). This sensibility happened to echo observations presented in my talk at the event (“Bearing the Fruits of E-Poetry: A Personal Decennial View”), which describes how my 2001 E-Poetry band “9 way mind” strove to emphasize language in its performance, whereas this year’s band’s preparations largely focused on using MIDI technology to compose images and language interactively — a transition indicative of the aesthetic course the field as a whole has taken.

Cooking a book with low-level durational energy

How to read Tan Lin's 'Seven Controlled Vocabularies'

Tan Lin’s Seven Controlled Vocabularies (7CV) is not about what many people seem to think it’s about. I’ve seen reviews that take the story of meeting his wife at a Macy’s event as if it were straight autobiography; I’ve seen its reproduction of Laura (Riding) Jackson’s Foreword to Rational Meaning taken as an affinity between his book and her theory; I’ve heard people compare it to Adorno or say that it is a manifesto.