Podcasts

On reading & teaching the modern long poem, with reference to Williams's 'Paterson' & two passages from Eliot's 'The Waste Land'

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Eric Alan Weinstein and Al Filreis spent some time in the Wexler Studio of the Kelly Writers House talking about the problematics of the modern long poem.

There it was (PoemTalk #83)

Wallace Stevens, 'The Poem That Took the Place of a Mountain'

Left to right: Susan Howe, Dee Morris, Nancy Kuhl

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Among the last things Wallace Stevens wrote was a metapoem, a poem in which a man — a reader and presumably a poet too — does not write a poem but picks his way among the aspects of an old poem, the poem that had once helped him by standing in for a mountain. He composes (or rather “recompos[s]”) the objects and perspectives of the way or path up the mountain. It had been a “direction.” Was it now again?

Conversation with Alan Golding, Orchid Tierney, Bob Perelman & Ron Silliman

On canons, anthologies, Language writing, academia and the long poem

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For episode #45 of PennSound podcasts, Al Filreis convened an hourlong conversation with Alan Golding, Orchid Tierney, Bob Perelman and Ron Silliman. They began by reflecting on Golding’s 1995 book From Outlaw to Classic: Canons in American Poetry twenty years later, beginning with a discussion about anthologies in the digital era.

Remote yet present (PoemTalk #82)

Carl Rakosi, 'In What Sense I Am I'

At the Poetry Foundation in Chicago: (left to right) Laura Goldstein, Al Filreis, Anthony Madrid, Don Share

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Anthony Madrid, Laura Goldstein, and Don Share joined Al Filreis at the Poetry Foundation in Chicago for a special on-the-road PoemTalk episode, a discussion of Carl Rakosi’s poem “In What Sense I Am I.” The poem appeared in Rakosi’s Collected Poems in the mid-1980s, but otherwise the group was not able to date the poem except through internal evidence — and there’s plenty of that — although taken all together such evidence leaves things open — for instance, the reference to Eliot’s Prufrock.

Deep descent (PoemTalk #81)

Fanny Howe, 'The Descent' & 'The Source'

Photo credit: Ivy Ashe.

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Laynie Browne, Rae Armantrout, and Kerry Sherin Wright joined Al Filreis at the Kelly Writers House to discuss two short poems by Fanny Howe, “The Descent” and “The Source.” These are, respectively, the first and last poems in a series called “The Descent,” published together with other series in a book titled Gone (California, 2003).