Podcasts

A day like any other (PoemTalk #85)

James Schuyler, 'February'

from left: Erica Kaufman, Bernadette Mayer, Al Filreis & Julia Bloch—during a live interactive webcast that preceded this PoemTalk session by a few hours.

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Bernadette Mayer, Julia Bloch, and Erica Kaufman joined Al Filreis to discuss James Schuyler’s poem “February.” Schuyler read the poem at the Dia Art Foundation in New York on November 15, 1988. John Ashbery gave the introduction, emphasizing how reluctant Schuyler was to read in public. He noted: “As far as I know, this is the first public [reading] he has ever given.” One can tell from the tone of Ashbery’s remarks that he felt that he and the audience were in for a rare treat, a savoring for which years of waiting were worthwhile.  Schuyler then read 17 poems, and one of them indeed was “February.” The poem was published in Freely Espousing (p. 15) and reprinted in Selected Poems (p. 6) and in Collected Poems (p. 4).

The I as hieroglyph (PoemTalk #84)

H.D., 'Helen in Egypt'

Photo credit: H.D. Papers, Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, Yale University and New Directions Publishing.

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Julia Bloch, Dee Morris, and Annette Debo joined Al Filreis for this extended episode of PoemTalk, and their task — to give a sense of the whole of H.D.’s lyric epic Helen in Egypt through a discussion of five selected small parts — certainly pushed at the limit of PoemTalk’s scope and mode.

On reading & teaching the modern long poem, with reference to Williams's 'Paterson' & two passages from Eliot's 'The Waste Land'

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Eric Alan Weinstein and Al Filreis spent some time in the Wexler Studio of the Kelly Writers House talking about the problematics of the modern long poem.

There it was (PoemTalk #83)

Wallace Stevens, 'The Poem That Took the Place of a Mountain'

Left to right: Susan Howe, Dee Morris, Nancy Kuhl

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Among the last things Wallace Stevens wrote was a metapoem, a poem in which a man — a reader and presumably a poet too — does not write a poem but picks his way among the aspects of an old poem, the poem that had once helped him by standing in for a mountain. He composes (or rather “recompos[s]”) the objects and perspectives of the way or path up the mountain. It had been a “direction.” Was it now again?

Conversation with Alan Golding, Orchid Tierney, Bob Perelman & Ron Silliman

On canons, anthologies, Language writing, academia and the long poem

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For episode #45 of PennSound podcasts, Al Filreis convened an hourlong conversation with Alan Golding, Orchid Tierney, Bob Perelman and Ron Silliman. They began by reflecting on Golding’s 1995 book From Outlaw to Classic: Canons in American Poetry twenty years later, beginning with a discussion about anthologies in the digital era.