Maxe Crandall, Julia Bloch, and Sarah Dowling joined Al Filreis to talk about Gertrude Stein’s “How She Bowed to Her Brother.” It was written in late 1931. The text can be found in A Gertrude Stein Reader,edited by Ulla Dydo (564). On PennSound’s Gertrude Stein page, which has been edited and annotated by Dydo, one can hear a recording of Stein performing the first section of the three-section poem.
Tsitsi Jaji, Herman Beavers, and William J. Harris joined Al Filreis in the new Wexler Studio at the Kelly Writers House to discuss a poem by Nathaniel Mackey, “Day after Day of the Dead” (text). The poem appears about a third of the way through Mackey’s book Nod House (New Directions, 2011). As is typical of Mackey’s work, especially in recent years, the book includes poems that are individually new installments in one of two ongoing long poems, one called “Mu” and another called “Song of the Andoumboulou.”
Emji Spero, an Oakland-based artist and poet exploring the intersections of writing, book art, installation, and performance, visited Philadelphia and the Kelly Writers House in April 2015 to talk about their book almost any shit will do, which uses found language from mycelial studies, word-replacement, and erasure to map the boundaries of collective engagement.
This interview tracks my genesis and early development as a poet and intellectual. My artistic and cultural education occurs during the late 50s, the 60s and the early 70s and takes place primarily in and around academic institutions
On March 18, 2015, Canadian poet Rachel Zolf visited Philadelphia and the Kelly Writers House and came into the Wexler Studio to record a conversation with Brian Teare. Zolf and Teare discussed Zolf’s most recent book, Janey’s Arcadia, which Teare described in his introduction to Zolf’s reading at Temple University in November 2014 as a work that “situates us in a Canadian national history in which the ideology of nation building prescribes genocide for indigenous people, and enlists all its settler-subjects in the campaigns of conversion, dislocation, assimilation, and disappearance.” Zolf created a film, a sound performance, and a number of polyvocal actions related to Janey’s Arcadia and has written recently about the “mad affects” generated by the reading/audience event.