On September 10, 2015, Jerome Rothenberg re-visited the Kelly Writers House to give an evening reading. A few hours earlier, Ariel Resnikoff and Al Filreis met Rothenberg in the Wexler Studio for an extended interview/conversation that ranged across many epochs, poetic modes, and topics.
Trace Peterson, erica kaufman, and Gabriel Ojeda-Sague joined Al Filreis at the Renee & Chaim Gross Foundation in New York City to discuss two poems in CA Conrad’s chapbook, (Soma)tic Midge, published by Faux Press in Cambridge, Massachusetts (2008). Each of the seven poems in the series was written while the poet was under the influence of a color — worn, ingested, or otherwise enveloped.
The Los-Angeles-based poet Brent Armendinger visited Philadelphia and the Kelly Writers House in April 2015 during a book tour for the release of The Ghost in Us Was Multiplying, which Bhanu Kapil has described as a book that “traces the index of an intense need: the kind of contact that can’t be assuaged by touch alone.”
Al Filreis convened Kristen Gallagher, Kathy Lou Schultz, and Bruce Andrews for a conversation about a poem by Bob Perelman, “Confession,” which the poet once introduced (jokingly, yes?) as “the inside story of Language writing.” “Confession” was published as the first poem in — indeed, arguably it serves as a proem to — Perelman’s book The Future of Memory. Its speaker satirically imagines that avant-garde poets had been abducted by aliens, in the manner of 1950s science fiction.