PennSound podcasts

Jaime Shearn Coan interviews Brian Teare

PennSound podcast #53

Photo of Brian Teare (right) by Ryan Collerd, courtesy of the Pew Center for Arts and Heritage.

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Brian Teare came back to the Kelly Writers House on October 30, 2015, to speak with Jaime Shearn Coan about his new collection of poetry, The Empty Form Goes All the Way to Heaven, published in 2015 by Ahsahta Press. Shearn Coan describes Teare’s collection as one that imagines “how to language what is un-languageable.” In this PennSound podcast, Teare and Shearn Coan talk about writing out of chronic illness, the book’s engagement with the work of American abstract painter Agnes Martin, and how poetry explores what sorts of shared communal narratives are possible.

Jerome Rothenberg interviewed

PennSound podcast #52

Jerome Rothenberg at the Kelly Writers House on September 10, 2015

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On September 10, 2015, Jerome Rothenberg re-visited the Kelly Writers House to give an evening reading. A few hours earlier, Ariel Resnikoff and Al Filreis met Rothenberg in the Wexler Studio for an extended interview/conversation that ranged across many epochs, poetic modes, and topics.

Brian Teare interviews Brent Armendinger

Teare interviews Armendinger

PennSound podcast #51

We were happy to welcome Brian Teare for this second of two interviews he conducted in the Wexler Studio in spring 2015 (the first being with Rachel Zolf, PennSound podcast #48). Here he interviews Brent Armendinger who was visiting from Los Angeles.

Gabriel Ojeda-Sague interviews Emji Spero

PennSound podcast #50

Emji Spero
Emji Spero

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Emji Spero, an Oakland-based artist and poet exploring the intersections of writing, book art, installation, and performance, visited Philadelphia and the Kelly Writers House in April 2015 to talk about their book almost any shit will do, which uses found language from mycelial studies, word-replacement, and erasure to map the boundaries of collective engagement.

An interview with William J. Harris

PennSound podcast #49, with an introduction by Harris

William J. Harris with Susan Harris, 1969.

This interview tracks my genesis and early development as a poet and intellectual. My artistic and cultural education occurs during the late ’50s, the ’60s and the early ’70s and takes place primarily in and around academic institutions: the liberal college, Antioch, which is in my hometown of Yellow Springs, Ohio, and the nearby black state university, Central State, in Wilberforce, and the story, if not exactly concluding, comes to “a momentary stay against confusion” at Stanford University in Northern California where I did my MA in creative writing and a PhD in English.