Podcasts

Whelm lessons (PoemTalk #60)

Clark Coolidge, 'Blues for Alice'

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Brian Reed (in from Seattle), Maria Damon (Minnesota), and Craig Dworkin (Utah) joined Al Filreis at the Writers House (Philadelphia) in a rare and — we think — rather fluid convergence of poetic minds prepped to figure out how to talk about an instance of verse bebop. The bop was Charlie Parker’s, as a model for languaged sound (by poet Clark Coolidge), and the template song was “Blues for Alice” (Coolidge’s poem uses the title), and among the possible Alices are Alice Coltrane, Alice Notley, and Alice in Wonderland. We speculate about Alice Coltrane and Alice in Wonderland, but as for Notley: Brian Reed finds evidence that Coolidge meant to dedicate his poem version of the standard bop dedication indeed to Notley. This leads Maria Damon to wonder about all these women dedicatees – these recipients or objects of blues syllabics — in light of such strong male performative struggles, or attempts to “get in on the try,” managed by creative men: Coolidge and Parker, or course, but perhaps Ted Berrigan too, and surely also Jack Kerouac, whose bop-inspired babble flow is very much part of the PoemTalk conversation. The key source for Coolidge’s working out of Kerouac is his important 1995 article published in American Poetry Review on Kerouac’s babble flow and his improvisation generally.

Yankee go home (PoemTalk #59)

Paul Blackburn, '7th Game: 1960 Series'

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Paul Blackburn performed his poem “7th Game : 1960 Series,” which had been written in 1960, on or near the first day of the 1971 baseball season, during a reading he gave at SUNY Cortland. The poem was later republished in Blackburn’s Collected Poems (here is a PDF copy). The New York Yankees (Blackburn’s team) were heavy favorites in their series against the Pittsburgh Pirates, and vastly outscored the underdogs in the seven games. But the Pirates won on a home run by a light-hitting second baseman in the final at-bat of the final game (what we now call a “walk off”). As Blackburn introduces the poem, the Cortland audience laughs; listeners to the audio-only recording now might be confused by this, but we think you can safely guess that Blackburn had just put on his Yankee cap.

Tired, poor, huddled, gentrified (PoemTalk #58)

Bernadette Mayer, 'The Tragic Condition of the Statue of Liberty'

Bernadette Mayer, Emma Lazarus, Lady Liberty

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Most of us who have read Bernadette Mayer's poem, “The Tragic Condition of the Statue of Liberty,” encountered it in Andrei Codrescu's anthology American Poetry since 1970: Up Late (1987), where it was joined by her “Laundry & School Epigrams” (written in the same spirit) and eight of her other poems. PennSound’s recording of “The Tragic Condition” comes from an Ear Inn reading that took place in October of 1988. 

For this episode of PoemTalk, Al Filreis convened Anne Waldman, Julia Bloch, and Katie Price to talk about this poem and Mayer’s approach to tragic conditions generally. <--break- />

Into the Field: Joey Yearous-Algozin

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Joey Yearous-Algozin is a full-time man of letters living in Buffalo, New York. He’s a Ph.D. candidate in the SUNY-Buffalo Poetics Program, co-editor of the journal P-Queue, and a member of the TROLL THREAD publishing collective. 

Cut from the same tongue (PoemTalk #57)

Gregory Djanikian, 'Armenian Pastoral, 1915'

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When Gregory Djanikian’s book, So I Will Till the Ground, was published in 2007, it was celebrated at the Kelly Writers House. (Later a Writers House podcast was released to give a sense of the event.) Al Filreis gave an introduction (MP3) as did one of Djanikian’s students, Sam Donsky (MP3). Djanikian read the hilarious “Immigrant Picnic” (MP3), a poem from the part of the book dealing with the life of the poet's family after the genocide left many of his forebears dead and dispersed the rest to places like Alexandria, Egypt, where our poet was born. Most of the book, indeed, deals with the effects many decades later of the Armenian genocide (or “Meds Yeghern,” the great calamity). But the first poems in So I Will Till attempt to represent mass killing. Among them is a poem Djanikian also read that night in 2007: “Armenian Pastoral” (MP3), the poem we discuss in this episode of PoemTalk.<--break-> It is more focused on the linguistic capacities of traumatic memory than any other poem in a book that is nonetheless full of consciousness about the relationship between genocide and naming.