Podcasts

Into the Field: Kaplan Harris

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Kaplan Harris is a scholar and editor who writes about a wide variety of 20th- and 21st-century poetry, including the work of Ted Berrigan, Hannah Weiner, Susan Howe, and the Flarf poets. With degrees from North Carolina State University and the University of Notre Dame, he currently teaches at St. Bonaventure University in Western New York. For the last several years, Harris has been co-editing the forthcoming Selected Letters of Robert Creeley with Peter Baker and Rod Smith. His article “The Small Press Traffic school of dissimulation” was recently published in Jacket2.

Into the Field: Tao Lin

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Tao Lin is a novelist, poet, and provocateur currently living in Brooklyn. He has written six books of fiction and poetry, including Richard Yates (2010), Shoplifting from American Apparel (2009), and cognitive behavioral therapy (2008). Lin runs the publishing imprint Muumuu House, and you can find his website here. He also occasionally contributes to the blog Thought Catalog. I spoke with Lin in his bedroom in June of 2010.

Into the Field: Sina Queyras

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Sina Queyras is a poet and writer currently living in Montreal. She was raised in western Canada, and has degrees from the University of British Columbia and Concordia University. Queyras has lived in many places and held many jobs, and we talk about the ways geography and work have shaped her poetics. Her poetry collections Lemon Hound (2007) and Expressway (2009) were published by Coach House Books, and her excellent blog is called Lemon Hound.

A hole torn in the world (PoemTalk #42)

Nathaniel Tarn, 'Unraveling / Shock'

Nathaniel Tarn; "Dying Trees" jacket

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The eighth section of Nathaniel Tarn’s sequence Dying Trees is titled “Unravelling / Shock.” Dying Trees was first published as a chapbook in 2003; later, in 2008, it was included entirely in Tarn’s New Directions book, Ins and Outs of the Forest Rivers. When the Dying Trees sequence was still unpublished, Tarn gave a reading at the Kelly Writers House (2002) during which he read several sections of the then-new poem, including the one discussed here by Marcella Durand, Burt Kimmelman, Erin Gautsche, and PoemTalk’s producer and host, Al Filreis.

The setting is certainly Tarn’s parched American southwest. Drought is killing the trees; a cancer diagnosis is delivered; nationalism has brought more warring. The convergence of the three forms a “web.” “A hole [has been] torn in the fabric of the world.” News travels bodily; leaders fail to lead; beetles pierce bark; a demonic mouse – “wee” and yet terribly efficacious – compounds the morbidity to the point of body-snatching. It happens as an ecological, medical, and political simultaneity, and the speaker is not in a state to be much concerned about keeping the categories separate. Thus the poem is itself “the whole infernal weave” – a quality more obvious in this eighth section of the poem than in others.<--break- />

Our talkers, Burt especially (a great admirer of Tarn), found this verging on didactic. And yet Burt, Erin, and Marcella all acknowledge that what’s actually causing the sense of didacticism is the “unravelling” of the poem’s lines and thematic focus.

Burt, Erin, and Marcella each take a turn, toward the end of the discussion, in an effort to relate Tarn’s career-long interest in ethnopoetics to the ecopoetics of the Dying Trees sequence. Indeed, then, they ponder the two categories in general relation.

Back in our poem, “Ghosts” walking among the dying trees get the last word (quoted in the final lines of the poem):

              “those days,
those days you took no notice of, counting them poor,
dispersing them among the memories you could not value
at their truth worth, you could not recognize enough to feel:
who knows if these few days, these very days, were not
those ones lived together here, the only paradise?”

Tarn, an eminent anthropologist as well as a poet, finds a speaker at the apparent end of the world and has him describe a paradise lost; the verb is lived, not live.

- - -

In 2003, Jacket published two sections of Dying Trees, the 7th and 9th. The 9th, entitled “Golden Globes of Hopefulness,” was also recorded during the Kelly Writers House reading mentioned above. Jacket also published Tarn’s review of a book about Robert Duncan and illness. And Jacket 39 included a wide-ranging feature of essays and commentary on Tarn’s work overall.

PoemTalk #42 was directed and engineered by James LaMarre, and edited, as always, by Steve McLaughlin.

Into the Field: Andrew Zawacki

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I meet Andrew Zawacki in this episode of Into the Field, recorded on the campus of the University of Georgia in Athens. Zawacki teaches in the creative writing program at UGA, and holds degrees from the College of William and Mary, Oxford, the University of St. Andrews in Scotland, and the University of Chicago. His books of poetry are By Reason of Breakings (University of Georgia Press, 2002), Anabranch (Wesleyan University Press, 2004), and Petals of Zero Petals of One (Talisman House, 2009). Zawacki's writing has appeared in The New YorkerThe Nation, and The New Republic, as well as in many anthologies and journals. We talk about his ambivalence toward his role as a "professional" poet, and discuss what he's learned from his students over the years. The show begins with a reading from his long poem "Georgia," which explores his sense of cultural alienation after moving to Athens in 2005.

You can find more of Andrew Zawacki's poetry and criticism on his website.