Interviews

Futurism and schism

Close Listening with Marjorie Perloff

Perloff at the "Poetry of the 1980s" conference, 2012. Photo by Star Black.
Perloff at the "Poetry of the 1980s" conference, 2012. Photo by Star Black.

Editorial note: Marjorie Perloff is the author of Unoriginal Genius: Poetry by Other Means in the New Century, The Vienna Paradox: A Cultural Memoir, and Differentials: Poetry, Poetics, Pedagogy, among numerous other books, essays, and reviews.

Robert Creeley at Kelly Writers House, 2000

Editorial noteThis interview took place on the second of two days of visits by the late Robert Creeley to the Kelly Writers House in 2000 as part of the Writers House Fellows program, which brings three writers to the University of Pennsylvania’s campus each spring for close interaction with students, faculty, and other literary aficionados.

'A sound bursts out of me'

An interview with Paul Dutton

Paul Dutton, soundsinging with CCMC at 416 Festival, Toronto, 2012. Photo by Rob Allen.

Editorial note: Fellow Canadians Paul Dutton and W. Mark Sutherland ply the field of unconventional poetic practice in this interview, conducted by Sutherland in December 2009 and January 2010. Sutherland, an intermedia artist perhaps as heavily invested in language as Dutton (with whom he has collaborated artistically in the past), explores his colleague’s vast array of poetic practices, including visual poetry, sound poetry, and improvisational soundsinging. Dutton has released five books and four recordings of his solo work (recent examples include the CDs Mouth Pieces and Oralizations), but is widely recognized for his ensemble work as well, namely his participation in the Four Horsemen with bpNichol, Rafael Barreto-Rivera, and Steve McCaffery. Below this interview, you will find six poems by Paul Dutton. — Kenna O’Rourke

Writing in situ

Close Listening with Wystan Curnow

Editorial note: Poet, art critic, and curator Wystan Curnow, who was named after W. H. Auden, was born in Christchurch, New Zealand, in 1939. He pursued his PhD at the University of Pennsylvania before returning to the southern hemisphere to teach at the University of Auckland, though his creative travels have included visiting professorships in New York and California. Curnow’s multigeneric poetry of spatial, cultural, and historical multiplicity can be found in such collections as Back in the USA (Black Light Press, 1989), Cancer Daybook (Vanguard Xpress, 1989), and Modern Colours (Jack Books, 2005). This April 7, 2009, conversation with Charles Bernstein was the second of two episodes in Bernstein’s renowned radio program, Close Listening. You can listen to both programs here. This conversation was transcribed by Michael Nardone and edited by Katie L. Price. — Kenna O’Rourke 

Joyce in 2011: Finding a language use

Trevor Joyce. Photo by Jessica Jones.
Trevor Joyce. Photo by Jessica Jones.

This interview took place on November 28, 2010, at Trevor Joyce’s house off Shandon Street, Cork. The weather was bitter, and Joyce was fatigued, having stood outside hours the previous day at an antistate/anti-IMF protest he had organized in the city to coincide with the national protests in Dublin. With thanks to Trevor Joyce, Lee Jenkins, and Justin Katko. — Niamh O’Mahony

Niamh O’Mahony: How do you understand language and what do you think it does?