Note: On March 16, 2011, artists’ book author, publisher, and critic Johanna Drucker gave a reading/performance entitled “How Some Poems Are Made” as part of the Threads Talk Series put on by Granary Books editor Steve Clay at his apartment/publishing house in SoHo (a complete audio recording of the talk and Q&A session is available on PennSound). In her talk, Drucker examined “the relation between production means and aesthetic expression.” Afterward, poet Leo Genji Amino asked her a few questions about the very means of production that had delivered her talk, and the particular aesthetic encouraged by that delivery.
Editorial Note: This interview is part of a feature curated by a.rawlings; entitled “Sound, Poetry,” it began with a request for material on sound poetry as it is currently being practiced in northern Europe. “Sound, Poetry,” however, accomplishes so much more than reportage. Poets from Iceland, Belgium, Finland, the Netherlands, and the United Kingdom converse with a broad array of Canadian interlocutors; some have even created new work together specifically for this feature.
Editorial note:Barbara Guest (1920–2006) was the author of more than a dozen books of poetry, including Fair Realism (1989), Defensive Rapture (1993), and Quill, Solitary Apparition (1996). In 2008, Wesleyan University Press published her Collected Poems. The following conversation was recorded in 1995 for LINEbreak, produced and directed by Martin Spinelli and hosted by Charles Bernstein for the Poetics Program at SUNY-Buffalo, at the Charles Morrow and Associates Studio in New York.
Note: Michael Gottlieb’s Memoir and Essay was published in 2010 by Faux/Other press. It includes a memoir, “The Empire City,” which explores the early days of Language poetry, Gottlieb’s development as a writer, and New York City in the 1970s. An accompanying essay, “Jobs of the Poets” (first published in Jacket in 2008) is structured as a series of questions and responses exploring the nature of poets’ day jobs and how these jobs relate to their poetic work.
Editorial note: Christian Bök is the author of ’Pataphysics: The Poetics of an Imaginary Science, Crystallography, and Eunoia (which won the Griffin Poetry Prize in 2002). Bök performs his poetry around the world and teaches at the University of Calgary. The following has been adapted from a Close Listening conversation recorded on April 20, 2005, at Studio 111 at the University of Pennsylvania.