I proselytize for Tadeusz Różewicz (1921–2014) and his poetic legacy as a new convert, not with unique insight into his importance or his poetics. That I leave to the eleven Polish poets sampled here (and several translators), who can testify better than I can.
In “Book Reviews: A Tortured History,” published in The Atlantic in April 2012, Sarah Fay outlines a modern history of book review culture in which the primary question, as it tends to be today, is whether overly glowing book reviews or completely damning ones are ever productive ways to become aware of or understand literature.
The poet and literary critic Hillary Gravendyk organized a roundtable on the “Poet-Scholar” for the 2013 MLA Convention in Boston, with participants Juliana Spahr, Jennifer Scappettone, Julie Carr, Heather Dubrow, Margaret Ronda, and Barrett Watten.
“The Motion of Light” is named for the Kelly Writers House celebration of Samuel R. Delany’s performative poetics, held on April 11, 2014, and archived at PennSound. This Jacket2 feature collects work by all those who were a part of the Delany celebration, of an event that celebrated the writer who, as Tracie Morris notes in her introduction, “is a constellation that continues to be fixed, yet revolves, for me and for so many lovers of poetry … a maker of many worlds.”
For a poetry that yields such immediate and immense pleasure, the work of Joseph Donahue remains hard to characterize. As the author of seven volumes — including the forthcoming Red Flash on a Black Field and Dark Church, the third installment of his ongoing Terra Lucida serial project — Joseph Donahue has spent almost three decades crafting a sensibility that straddles the often-reductive binaries of literary discourse.