The fifth and final installment of Pam Brown’s feature “Fifty-one Contemporary Poets from Australia” (ordered, “[i]n the interest of objectivity,” by “a recently invented ‘downunder’ method — the reverse alphabet”) includes work from Justin Clemens, Bonny Cassidy, Michelle Cahill, Michael Brennan, Ken Bolton, Judith Bishop, Louis Armand, Chris Andrews, Elizabeth Allen, Ali Alizadeh, and Adam Aitken, along with artwork by Louis Armand and Ken Bolton.
This feature celebrates the life and work of Marjorie Perloff at almost exactly the moment she receives the honor of induction into the American Philosophical Society, headquartered in Philadelphia, which happens to be — some blocks west of that venerable institution — home base for Jacket2. APS election is something like what in L.A., Perloff's own home, is called “a lifetime achievement award.” So it seemed time for us to bring together not just friends but also critical admirers at various distances to write brief retrospective reviews of her work over the years.
“It’s difficult to say exactly what’s going on in Scottish poetry right now,” writes Sandra Alland. “But it’s definitely something exciting.” Alland convenes nine poets in Scotland, most of whom live in Glasgow or Edinburgh, to suggest a “recent surge” in work being done in flourishing hybrid forms and experimentation in this increasingly independent region.