Recently the Canadian Caribbean poet M. NourbeSe Philip has begun to experiment with collaborative public readings of her book-length poem Zong! I had the good fortune of attending one of these readings at the end of May at the Canadian Association for Commonwealth Literature and Language Studies Annual Conference at the University of Waterloo. Handing out about twenty photocopies of Zong!, she provided the audience with page numbers and instructed us to read these pages along with her without worrying about staying in unison. A mesmerizing cacophony ensued, as voices moved under, over, and around each other. Zong! illustrates Philip’s ongoing commitment to poetry as a radical mode of historical inquiry and racial protest.