Samuel Delany reviewed the first Star Wars movie in Cosmos Science Fiction and Fantasy (1977). Alex Weheliye has made a copy available here. And here, posted by Delany himself on Facebook, is his review of the new film, episode 7, The Force Awakens.
New addition to ModPo’s collection of crowdsourced close readings: Raymond Maxwell, Colleen Knight, Anika Lani, and Mark Snyder meet by GoogleHangout to discuss Clark Coolidge’s “Blues for Alice” (in the context of Charlie Parker and more): link to YouTube.
Andrew Whiteman (guitarist, composer, frontperson for Apostle of Hustle, etc.) is an enthusiastic promoter of the experimental poetry tradition, especially in Canada. He has collaborated with Ariel Engle in the board AroarA, which released the EP "In the Pines" based on the poetry of Alice Notley. He has just made available "Sonic Poetry - Investigative Poetry" as a YouTube video.
Jackson Mac Low speaks during a long question-and-answer session at New Langton Arts in San Francisco, c. 1984. This recording came to PennSound’s archive in two parts, and — thanks to the efforts of Hannah Judd — we now make them available in segments roughly topical.
I've been writing about Charles Reznikoff’s Inscriptions, which collected 53 short post-holocaust poems written in the late 1940s to mid-1950s and published finally — self-published by Rezi, actually — in 1959. Reviewers got to it in 1960 and ’61. I came across A. R. Ammons's review in the April 1960 issue of Poetry. Ammons is reviewing Bob Brown's amazing, fabulously unusual 1450-1950, a book published by Jonathan Williams that consists of hand drawings, in a sense reversing the era of the book (marked by the dates of the title) — an avant-garde undoing. Ammons liked the book, although thought of it as a high modernist throwback: “a cool breeze from the Twenties for our hot, dry, thermonuclear times.” Most of the review is taken up by Ammons's assessment of Robert Duncan’s City Lights Selected Poems, and there’s nothing per se wrong with that. But Reznikoff’s Inscriptions deserves more than the 55 words it gets here.