On October 5, 2013, Bob Holman hosted a memorial for Taylor Mead at St. Mark’s Church in the Bowery. He and others then headed over to the East River (and E. 10th St.) to toss Mead’s ashes into the water with a group of attendees that included Mead’s niece Priscilla. Holman’s note in advance of the gathering read as follows: “Join me at Taylor Mead Memorial at St Mark’s Church today, Sat. Oct. 5 at 1:30. Followed by champagne and chocolate cupcake reception. Then we’ll go to the East River and wait for our antihero to float by on his boombox barge.” The photograph here was taken by Lawrence Schwartzwald and is used here in Jacket2 with the photographer’s permission. Further use requires explicit permission.
We are now releasing a new podcast — a 30-minute excerpt from a conversation with the “digerati” John Brockman assembled for a heady evening at the Writers House back in 1999. The podcast is introduced by Emily Harnett. For more podcasts in this series, click here.
John Brockman’s world in the 1960s was a humming electronic world, in which multiple films, tapes, amplifiers, kinetic sculpture, lights and live dancers or actors are combined to involve audiences in a total theater experience. His Intermedia Kinetic Experiences permitted audiences simply to sit, stand, walk or lie down and allow their senses to be Saturated by Media. His 1969 book was By the Late John Brockman.
Yes, Brockman, the sci/tech literary uber-agent, the Happenings organizer in the 1960s and in recent years the creator of “Third Culture” and a leader of the digerati (cyber-intellectuals), came to the Writers House in 1999 along with six of the digerati. And I introduced and, with John, co-moderated a discussion about digital culture.
Graham Nash visited the Kelly Writers House on Friday, September 20, 2013, for an interview/conversation moderated by Anthony DeCurtis as part of KWH’s annual Blutt Singer-Songwriter Symposium. At the end of the conversation, as we'd hoped, Nash played two songs: “Back Home,” an elegy for Levon Helm, and “Teach Your Children.” Below are video recordings of the two songs. Here are other recordings:
1. video recording of the whole event: VIDEO 2. audio recording of the whole event: AUDIO 3. audio recording of “Back Home”: AUDIO 4. audio recording of “Teach Your Children”: AUDIO
Back in April 2013, I featured in this commentary an instance of Jake Marmer’s improvisational work, under the title “Improvised poetry: palimpsest of drafts.” Recently, Marmer recorded an another poetic improvisation. The improvisation is based on one of his poems — and is a departure from it, “a new radical spontaneous draft.” It was remixed by Israeli bassist Jean-Claude Jones, who also recorded an improvised a bass track for it. Above is the handwritten “shape poem” version (to borrow Hank Lazer’s phrasing) which Marmer says he found specifically helpful in the improvisatory process.
Here is the recording, as composed and performed by Jake Marmer and then remixed by Jean-Claude Jones (with added bass): MP3.