Al Filreis

Michael Magee, 'Morning Constitutional'

In the Kensington section of Philadelphia, 2004.

Thanks to PennSound staffer Hannah Judd, a November 2001 reading of Morning Constitutional Michael Magee gave at the Kelly Writers House — with Louis Cabri — has been segmented. Magee's book Morning Constitutional was published in 2001. Publisher's Weekly observed: “A breadcrumb trail of juiced urban monologues, phrasal runs somewhere between Dolphy and Sun Ra, rope-a-dope reports from a guarded ordering bordering on an underdog corner restoration and definitional clarity (a slush fund is dirty money) mark these ante-meridian outings, exercising our rights and outlining the space between our laws.” Magee walked Philadelphia in the mornings and these poems densely record his observations, debris-like.

Michael Magee's book Morning Constitutional was published in 2001. Publisher's Weekly observed: “A breadcrumb trail of juiced urban monologues, phrasal runs somewhere between Dolphy and Sun Ra, rope-a-dope reports from a guarded ordering bordering on an underdog corner restoration and definitional clarity (a slush fund is dirty money) mark these ante-meridian outings, exercising our rights and outlining the space between our laws.” Magee walked Philadelphia in the mornings and these poems densely record his observations, debris-like. The book is still available for purchase. Philip Metres wrote about it for Jacket in May 2003.

Now, thanks to PennSound staffer Hannah Judd, a November 2001 reading Magee gave at the Kelly Writers House — with Louis Cabri — has been segmented.

Take the no out of now

Gerd Stern in 2000

Gerd Stern — poet, multimedia artist, performer, 1960s Happenings guy — visited the Writers House in September of 2000. (Gerd was one of the founders of “USCO,” a group of artists, engineers and poets creating multi-media performances and environments which toured U.S. museum and university venues during the 1960s.) He gave me this magnet (see image above) that night.

On Kyger's 'When I used to focus on the worries'

Video recording of a collaborative close reading

On January 17, 2016, I met up with about 60 people at the Center for the Book in San Francisco to talk collaboratively about a poem by Joanne Kyger that goes by its first line, "When I used to focus on the worries." I had traveled with Zach Carduner and Chris Martin and they managed to bring along their recording equipment and have produced a video of high quality — notwithstanding the rather impromptu arrangement.

Jake Marmer interviews David Antin & Jerome Rothenberg

On December 23, 2015, in San Diego, Jake Marmer interviewed David Antin and Jerome Rothenberg. Today the recording of the interview has been added to the Marmer, Antin, and Rothenberg author pages at PennSound. Here is a direct link to it: MP3 (1:35:55). Here is Jake Marmer's introduction to the interview:

Imagining a Poetry That We Might Find: Conversation with Jerome Rothenberg and David Antin

Undoing the great modernist aural vowel shift

Jed Rasula deforms Wallace Stevens's at-home calm

[The recording of the deformance described in this commentary is here.] When Jed Rasula and Steve McCaffery assembled an anthology of historical avant-gardism called Imagining Language (1998), their goal was to find, “along the canonical spectrum, within the regulated normality of literature,” the various “occasional protuberances of another submerged order.” Wallace Stevens is nowhere to be found here, perhaps not surprisingly, among selections from the writings of Stein, Joyce, Whitman, Madeline Gins, Hugo Ball, Max Ernst, Lupino Lane, Armand Schwerner, Zora Neale Hurston, Marcel Duchamp, Jackson Mac Low, bp Nichol, Gerard Manley Hopkins, and others.