Montreal writer and musician David McGimpsey has been the author, for about 20 years now, of what he calls “chubby sonnets,” each sonnet consisting of sixteen metred lines instead of the usual fourteen. The author of a critical study on baseball writing and a collection of short stories as well as five poetry collections — Lardcake (ECW Press, 1996), Dogboy(ECW Press,
A few years ago, reading through issues of the now-defunct Sentence: A Journal of Prose Poetics started me thinking about the prose poem in terms of difference between Canada and the United States. As much overlap as our two countries have, the evolution of the nebulously-termed “prose poetry” has been different, and yet, at least on this side of the border, the form hasn’t been (for what I’ve been able to find) much explored in terms of possibility, genealogy and influence. Back in May 2012, as a prelude to composing a possible essay to explore the subject, I sent out an email to a variety of individuals, and even a couple of list-serves, seeking information:
Writer, sound performer, publisher, editor, artist and urban printer jwcurry has lived in Ottawa since 1996, after moving his archive/bookstore, said to be one of the largest collections of small press publications and ephemera in Canada, from his long-time home base in Toronto. His ongoing bibliography of the late Toronto poet bpNichol, a project he’s been working on for a couple of decades, include much that’d been missing even from Nichol’s collection of his own work. His influence in the city as a resource, performer, poet, enthusiast and contrarian has been both subtle and considerable, and his presence alone has encouraged a number of Ottawa writers and publisher to push well beyond their comfort levels and limits, influencing the work and performances of just about anyone who has worked with him.