[Having written it originally for David’s Copy: Selected Poems (Penguin Books, 2005), I reprint my pre-face here in celebration of the republication by City Lights Books of his classic poetics primer, Two Way Mirror, concerning which I wrote more recently: “David Meltzer had set out, when he was very young, to write a long poem called The History of Everything, an ambition that his later poetry brought ever closer to fulfillment. Here, i
[Using the procedure of “variations” that I began with The Lorca Variations (1993) I turn it here toward my own earlier work & show, below, both a poem from 1966 & the corresponding autovariation from 2014. In the present instance I’ve gone back to a poem written & published as part of a book called “The Gorky Poems,” and, as in the “variations” I’ve done from other poets, I systematically remove all nouns from the original & use them as building blocks or what Jackson Mac Low used to call “nuclei” in the const
[To be published in 2015 as part of an expanded & revised edition of Diane Rothenberg’s Mothers of the Nation by Nine Point Publishing in Bridgton, Maine]
We first met Harry Watt in December, 1967. Stanley Diamond prepared a letter for us to carry along and telephoned ahead to introduce us. Diamond was interested in the experiments in translation that my husband, Jerome Rothenberg, was doing and thought that a meeting with some of the singers of the Allegany Seneca, a group among whom Diamond had worked, might be conducive to further explorations in translation.
[What follows is a draft of what will be part of the pre-face to Barbaric Vast & Wild, the assemblage of “outside & subterranean poetry” to be published later this year by Black Widow Press — the de-facto fifth volume of Poems for the Millennium & the culmination for the moment of a project that began nearly fifty years ago with the original publication of Technicians of the Sacred. I’m posting it now on Poems and Poetics before I head off for six or seven weeks on the road, to engage in readings & pe