Last May we published “Trouble Songs: A Musicological Poetics,” Jeff T. Johnson’s sprawling “investigation of the appearance of the word trouble in twentieth- and twenty-first-century music.” Announcing the piece on PennSound Daily, our own Michael Hennessey hailed the article as “a remarkably ambitious and capacious project that brings together the all-too-often disparate worlds of contemporary poetry and music.” “Within,” he continued, “we find Johnson deftly discussing John Ashbery, Amiri Baraka, Caroline Bergvall, and William Carlos Williams (among many others) with the same skill he dedicates to St. Vincent, Dock Boggs, Amy Winehouse, and Johnny Cash.”
The two volumes of Robert Duncan’s Collected Early Poems and Plays and Collected Later Poems and Plays (edited by Peter Quartermain), which appeared from the University of California Press in 2013 and 2014, make all of Duncan’s published poetry at last readily available.
We urge readers of Jacket2 to look at — and listen to — Gertrude Stein’s PennSound author page, where new recordings have now been linked. Most who have encountered Stein’s mellifluous voice have heard it from Caedmon record TC 1050 (1956), either directly or via its digitization in PennSound.
Robert Creeley recorded Ted Berrigan’s May 6, 1968 reading given in Buffalo. And Creeley gave the introduction (although, unfortunately, whoever was monitoring the tape recorder while Creeley got up to speak, only caught 27 seconds of the statement). This is the earliest recording of Berrigan currently in the PennSound archive. After his death, Creeley’s many, many recordings have been made available through PennSound. This 1968 Berrigan reading, now newly available on PennSound’s Ted Berrigan page, is one of the most remarkable poetry events Creeley documented.