Marjorie Perloff visited the Kelly Writers House in Philadelphia for most of four days this week – as a Kelly Writers House Fellow. For three hours on Monday, she met with 21 undergraduates in the so-called Writers House Fellows Seminar; they had read and discussed her writings for the previous five weeks. That evening – April 25, 2011 – she gave a 55-minute talk that, in part, offered the full context for Marcel Duchamp's attempt to exhibit his pseudonymous readymade, "Fountain" (1917).
Happily, we inaugurate Jacket2. For all the complexity of the work in poetry and poetics you’ll read on these screens, what we’re doing here is I think explained rather simply. We want to preserve what John Tranter has done with Jacket in its first forty issues, and to a significant extent — although in a somewhat new mode and a somewhat different context — continue and extend it. The new mode? A site pushing technically past what’s been called 2.0, with all the vaunted interoperabilities: collaborative editing and rostering of new articles; a rotation of three-months-each guest commentators, able themselves to post contemporaneous responses to various poetics scenes they “cover”; a means of laying out features that enables readers to see at once all diverse elements of materials and responses to a single poet or topic as gathered by a guest editor; an image gallery for uncluttered viewing of many images associated with an article or feature; podcast series (such as PoemTalk and Into the Field) both streamable right on the page and downloadable for free; video players both inline and linked; a Reissues department for making otherwise inaccessible archival material available in full digital facsimile; advanced searching through both new Jacket2 pieces and every single article, review, and announcement ever published in old Jacket; and seamless server-side linked cross-relations between critical responses written for J2 about readings and recordings on one hand and, on the other, all the digital audio (and video) stored in the vast archive known as PennSound. Even as we just get started, dig around and you’ll find a great deal here — and tons of potential.