Charles Bernstein

Workshop, July 1973 mimeo mag (pdf)

Ed. Nick Piombino & Peter Stamos, with Bernadette Mayer

  WORKSHOP
edited by Nick Piombino and Peter Stamos
cover by Ed Bowes
©  July 1973 Bernadette Mayer 

PEPC Digital Edition August 2011
ed. Nick Piombino & Toni Simon
PDF of publication here

‘Ear Loads’: Neologisms and sound poetry in Maggie O’Sullivan’s Palace Of Reptiles

by Peter Middleton

 This essay was first published in Journal of British and Irish Innovative Poetry, vol. 2, no 1 (2010), ed. Robert Sheppard and Scott Thurston. It was collected in The Salt Companion to Maggie O'Sullivan (2011). Reprinted with the permission of  Peter Middleton.
PDF of full essay here.

EAR LOADS

- I SING –

THEY CAME TO ME –

OCCIPUTAL DISTENTIONS

LINGERED, CHISMERIC, CHISMIC,
SCAR
CUMES,
CON-
CONDY-
CREO-
KAKA-
CATE-
CUA-
COOT-
E-
COB-
OD-
CL-
CR-
SWISH OF

( - WRENS CROSS MY PATH - )

TREMORING BUSTLE & MUTE 

                        Maggie O’Sullivan, from ‘Doubtless’

To read ‘Doubtless’ and the book where it appears, Palace of Reptiles, is to be filled with ‘ear loads’ of clongy, phonempathic language songs, creating whisdomensional rituals cut with the unknown.

Maggie O'Sullivan Salt Companion

The Salt Companion to Maggie O'Sullivan

This is a terrific collection about one of my favorite contemporary British poets. Useful both for detailed studies of O'Sullivan's poetry and poetics and as an opening into U.K. innovative poetry and the expanded field of L=A=N=G=U=A=G=E. Overall, one of the most illuminating recent compendiums on contemporary poetics.

Maggie O'Sullivan and I will be reading together at the Poetry Project at St. Mark's, New York, on Weds.. Oct. 5.

Ken Edwards:  Introduction (pdf)
Charles Bernstein: Colliderings: O’Sullivan’s Medleyed Verse (html)
Peter Middleton: ‘Ear Loads’: Neologisms and Sound (Jacket2 pdf)

Antin in the sky with diamonds

Video portrait of David Antin (Feb. 18, 2008)

David and I met for lunch in SoH0, near Ellie's gallery. Much of our conversation focussed on David's essay collection; there were enough works for two books, so which to leave out? David was never much interested in talking about collecting his essays; his focus was always on what he doing now, what he was doing next. That's partly why it took him so long to gather together the pieces in that book. But I was persistent and brought up the essay collection just about every time we met. After a while, we walked outside and wound our way, slowly, toward Houston, talking all the while. I asked David about his sky-writing poems.