PennSound has just made available 104 recordings made at the Ear Inn in the early 1990s. These include recordings by Cabri, Child, K. Davies, A. Davies, Derksen, Dewdney, DiPalma, DuPlessis, Farrell, Fitterman, Fodaski, Foster, Fyman, Gander, Gizzi, Goldsmith, Frim, Heller, Hixon, Hoover, Inman, Kalendeck, Killian, A. Kim, Kocik, Kraut, Levy, Lewis, Lubeski, Lusk, Lyons, Mac Low, Matthews, Messerli, Myles, Neilson, O’Brien, Pearson, Price, Raworth, Regan, Rettallack, Richard, Roberson, Rosenfeld, Rower, Sala, Shaw, Sirowitz, Smith, Tillman, Toscano, Venuti, K. Waldrop, R. Waldrop, Wallace, Wheeler, C.D. Wright, J. Williams, Ziolkowski, Zivancevic, Zurawski, and more.
Of Jerry’s many works, there is one that in spite of being just a very small fraction of all his books was key for my own experience as a reader.
Anthologies are, with different degrees of intensity, the creation of a new field made out of preexisting elements; for the most part they define anew what was there before. Only once in a while an anthology can change not only what we know about poetry but the way we read beyond its own selection. Technicians of the Sacred: A Range of Poetries from Africa, America, Europe & Asia is that occurrence, a turning point that made visible what wasn’t before. Even more than an anthology it’s the blue print for a strategy, one that works his complexity up from multiple poetics to present at the same time, and without ever taking them apart, the particular and the whole.