Charles Bernstein

Six New Leslie Scalapino videos on PennSound: three performances, a reading, plus Reed and NY memorials

from FIona Templeton production of Flow – Winged Crocodile

Goya's L.A., New Langton Arts, San Francisco, CA, February 26, 1995

University of Alabama Press series: discounts on McCaffery, McGann, Silliman, Mullen, Reed

Celebrating the Publication of Steve McCaffery’s The Darkness of the Present

 The Darkness of the Present: Poetics, Anachronism, and the Anomaly
Steve McCaffery
6 x 9 · 256 pages
ISBN: 978-0-8173-5733-7 · $34.95 $24.47 paper
ISBN: 978-0-8173-8642-9 · $34.95 $24.47 ebook

“This book raises important ethical/political issues for the practice of art in the twentieth century. The Darkness of the Present calls them to rigorous attention in a series of critical studies. It finishes in a deliberate move to stand back, in order to reflect on the issues from a cool critical vantage, like Tennyson’s poet at the end of The Palace of Art.”—Jerome McGann, author of Radiant Textuality: Literature after the World Wide Web and Are the Humanities Inconsequent?: Interpreting Marx’s Riddle of the Dog
Google boosk preview here.

Buffalo Poetics Program: full set of Weds@4 Plus readings posters

Fall 1990 poster, the first season, from the year before the Poetics Program was founded.

Full set of posters for the SUNY-Buffalo Poetics Program's Wednesdays at 4 Plus series, Fall 1990 - Spring 2003, during the time I was coordinating the series. Susan Bee designed the posters

PDF of full set of print posters

What Me Was Conceptual? (1982)

Scans  of  the two poems of mine published in The World #37, 1982 – the St. Mark's Poetry Project mimeo magazine, this issue edited by Harris Schiff. The first poem "Abstract" has not otherwise been published; it is adapted, verbatim, from one of the many abstracts I wrote each month for Modern Medicine (Canadian edition). "people must love or approve of me ..." was included, in a different format, as the chorus in "A Person is Not an Entity Symbolic but the Divine Incarnate” in The Sophist (and later included in the libretto for The Subject.)

a new year round-robin letter from myanmar

from Jet Ni (Kyak Ni)

My dear friend,

 What a jolly good year we’ve had. Every village is democracy, democracy, democracy these days. Every villager is Mother Suu, Mother Suu, Mother Suu now. Long live Mother Suu!

 Of late even some oligarchs have become slightly socially responsible. After Mother Suu, one of those tycoons might plunge into politics to become ASEAN’s Berlusconi in the mafia state of Myanmar. Touch wood! Long live Mother Suu!