Al Filreis | Jacket2

neither us nor them, part 2

Al Filreis

A few days ago I commented on John Yau's attack on Eliot Weinberger's anthology American Poetry Since 1950: Innovators and Outsiders. Toward the end of that entry I mentioned that the review didn't have about it the left-right contentiousness of many other lit-crit squabbles of the day (late '80s/early 90s).

September 23, 2007

the class that taught itself

Al Filreis

In the spring of '96 I taught a course called "The Literature of Community", a seminar in which all th

September 22, 2007

Drucker, Atget, Boltanski, et alia

Al Filreis

For Lingua Franca's "Breakthrough Books" feature back in January of 2000, I wrote this paragraph on Marjorie Perloff's Poetry on & off the Page: Essays for Emergent Occasions (Northwestern University Press). What can one do in a paragraph? Not much.

September 21, 2007

pattern recognition circa 2003

Al Filreis

By the age of 28, Ray Kurzweil had invented a print-to-speech reading machine for the blind that caught the attention of Stevie Wonder.

September 20, 2007

Writers House in SoHo

Al Filreis

Our annual "Writers House New York" evening will take place this year on November 7, as always at Meisel Gallery in SoHo, 141 Prince. If you want to join us, write to rsvp [at] writing [dot] upenn [dot] edu.

September 19, 2007

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ELECTRONIC PEDAGOGY: Magazine story published in 2001 about my use of e-media in teaching. "Postmodern poets focused on the process of their poetry, rather than on what the words in their poems actually said. The purpose was to make poetry and language new again. There's no better way to describe Filreis' teaching style. He uses technology to free class time for discussion, which to Filreis is more important than the course material itself. The point is to develop his students' ability to think critically, not to have memorized every last fact about Gertrude Stein. And yet, he said, through that active engagement with the material, students end up remembering more of the content."

Click on the image.

ASHBERY PERFORMS STEVENS: In October of 1989, John Ashbery went to St. John's the Divine Cathedral in New York to be part of the induction of Wallace Stevens at the Poets' Corner. There was a vespers service and Ashbery read six sections of Stevens's "An Ordinary Evening in New Haven." Imagine that--that poem read at a vespers service! Anyway, I certainly don't know of another recording of Ashbery performing Stevens. Stevens was a fairly bad reader of his own poems. Ashbery is deemed by many to be an indifferent reader of his poems. (I don't agree, but understand the point.) But here, reading Stevens, Ashbery is marvelous. Here is a 7-minute recording of sections 3, 5, 12, 17, 18 and 30 of the Stevens poem that comes closest to real serial writing (seriality at the level of the section, anyway).

THE (ANTI)MODERN PRESIDENT. After looking at an abstract mural at the U.N. then President-elect Eisenhower said, "To be modern you don't have to be nuts."

THE END OF THE LECTURE & PLANNING TO STAY. As often as I can, I call for the end of the lecture as we know it. I'm pretty serious about this - not often exaggerating on the point. Click here for one of many forays into the topic. Once you're there, click on the "end of the lecture" tag for still more. My thoughts on institutional politics and the arts were presented in a manifesto called "Planning to Stay" (published as a pamphlet by No Press); the text of that talk is available here.

KELLY WRITERS HOUSEPhiladelphia's PBS affiliate, WHYY-12, produces a TV show that in each episode features four centers for the arts and creativity in the Philadelphia region. For its winter 2010-11 program, the show devoted 15 minutes to the Kelly Writers House in a segment called "The Creative Campus." To watch the video, click on the image above.

REPRESENTATIONS OF THE HOLOCAUSTI dislike Spielberg's Schindler's List intensely. It's a film, I think, that is very friendly toward sovereignty. For more on this minority view, click on the image above. I teach a course at Penn on representations of the Holocaust in literature and film every other fall semester.

In 2003 I founded and continue to direct the Center for Programs in Contemporary Writing at the University of Pennsylvania. CPCW brings together all of the university's writing programs and projects: Critical Writing, Creative Writing, the Kelly Writers House, PennSound, RealArts@PENN, the Chinese/American Poetry Association, Writers Without Borders, Creative Ventures, Jacket2, and more. For information and links to each of these projects, click on the logo above.