Erin Moure spoke with Charles Bernstein in 2010 about reading, translation, and multi-lingual poetry — audio, 7 minutes long: MP3. Her long discussion with Bernstein, part of his Close Listening series, has recently been segmented. Moure also talks about her identity as a Canadian and living in Montreal, the importance of identity and nationality in reading a poem, on how sound as a texture operates in her work, among other topics.
Below is a list of the live webcast sessions for ModPo fall '13. At the time of the webcast, participants can click here and join the discussion. The origination is the Arts Cafe of the Kelly Writers House at 3805 Locust Walk, Philadephia USA; those who can join in person are welcome to do so. ModPo is a free, non-credit course and is open to all; enroll here. We begin on 9/7/13.
Above: a photograph by Lawrence Schwartzwald of Kenneth Goldsmith in his final appearance as Poet Laureate at MoMA yesterday, reading from Seven American Deaths and Disasters in front of (and here gesturing toward) Andy Warhol’s Orange Car Crash Fourteen Times. (Photo cannot be reproduced without permission from the photographer.) On March 20, 2013, Goldsmith gave his "poet laureate lecture," titled “My Career in Poetry, or How I Learned to Stop Worrying and Love the Institution”; this was recorded and is available as a video here. Seven Deaths was recently reviewed by Dwight Garner in the New York Times.
On February 8, 2003, performing at the Bowery Poetry Club without prepared text or notes, Steve Bensonimprovised a long poem composed entirely of questions. His transcript of this performance later appeared in his book Open Clothes (Atelos, 2005) as "Did the lights just go out" [text]. Later, Steve McLaughlin created two excerpts from the full audio recording:
Three nights later, then at the Kelly Writers House, Benson again improvised a long poem composed entirely of questions, and then he responded to questions from the audience. His transcript of this performance also appears in Open Clothes as "If you stop to listen to yourself think" and "Is your thinking about the words." A full audio recording of the event can be heard here. Again, Steve McLaughlin created excerpts:
Ron Silliman talks for six minutes about Louis Zukofsky's “A“ as a useful counterpoint to Rachel Blau DuPlessis's Drafts and the crisis of the long poem that is at the heart of its composition: MP3 audio. Here is a link to the complete talk by Silliman. It was presented as part of a celebration of the poetry and criticism of DuPlessis held at Temple University in 2011.