Jen Bervin will sew the Mississippi on your ceiling, if your ceiling is big enough. I saw Bervin present on her “Mississippi” project. “Mississippi” is a panoramic scale model of the river that divides east and west in the United States. The scale is one inch to one mile, and the length of the river and gulf measures 230 curvilinear feet. The river is installed on the ceiling; it shows the riverbed mapped from the geocentric perspective, from inside the earth's interior looking up at the riverbed. It is composed of silver sequins; light shifts over the surface of them as you move through the space. The sequins are made of foil stamped on cloth, a rare variety of vintage French sequin that comes strung in clusters. They vary in circumference — some are quite tiny. They are sewn onto a very simple layer of paper, mull, and tyvek. The lower Mississippi, or meander belt, was completed at The Josef and Anni Albers Foundation in August 2009. “During that time,” Bervin writes, “I found that it took me exactly the same amount of time to sew the length of river in sequins that it would have taken me to walk the same section of the river.”
Thanks to Anna Zalokostas, we at PennSound have just now located recordings of ten of John Ashbery’s poems. They had been preserved in a Segue Series audio tape, dating from a 1978 reading Ashbery did with Michael Lally at the Ear Inn. We had left the Ashbery portion of this reading not quite identified, and have now corrected that oversight. On Ashbery’s PennSound page now, and on the Segue series page, you will now see — and can hear — these segments:
On October 5, 2013, Bob Holman hosted a memorial for Taylor Mead at St. Mark’s Church in the Bowery. He and others then headed over to the East River (and E. 10th St.) to toss Mead’s ashes into the water with a group of attendees that included Mead’s niece Priscilla. Holman’s note in advance of the gathering read as follows: “Join me at Taylor Mead Memorial at St Mark’s Church today, Sat. Oct. 5 at 1:30. Followed by champagne and chocolate cupcake reception. Then we’ll go to the East River and wait for our antihero to float by on his boombox barge.” The photograph here was taken by Lawrence Schwartzwald and is used here in Jacket2 with the photographer’s permission. Further use requires explicit permission.
We are now releasing a new podcast — a 30-minute excerpt from a conversation with the “digerati” John Brockman assembled for a heady evening at the Writers House back in 1999. The podcast is introduced by Emily Harnett. For more podcasts in this series, click here.
John Brockman’s world in the 1960s was a humming electronic world, in which multiple films, tapes, amplifiers, kinetic sculpture, lights and live dancers or actors are combined to involve audiences in a total theater experience. His Intermedia Kinetic Experiences permitted audiences simply to sit, stand, walk or lie down and allow their senses to be Saturated by Media. His 1969 book was By the Late John Brockman.
Yes, Brockman, the sci/tech literary uber-agent, the Happenings organizer in the 1960s and in recent years the creator of “Third Culture” and a leader of the digerati (cyber-intellectuals), came to the Writers House in 1999 along with six of the digerati. And I introduced and, with John, co-moderated a discussion about digital culture.
Graham Nash visited the Kelly Writers House on Friday, September 20, 2013, for an interview/conversation moderated by Anthony DeCurtis as part of KWH’s annual Blutt Singer-Songwriter Symposium. At the end of the conversation, as we'd hoped, Nash played two songs: “Back Home,” an elegy for Levon Helm, and “Teach Your Children.” Below are video recordings of the two songs. Here are other recordings:
1. video recording of the whole event: VIDEO 2. audio recording of the whole event: AUDIO 3. audio recording of “Back Home”: AUDIO 4. audio recording of “Teach Your Children”: AUDIO