Above: illustration for chapter 9.3 (week 10) of ModPo. This goes with the new supplemental syllabus called “ModPoPLUS.” ModPo begins again on 9/6/14 and it’s (as always) free, open to all, non-credit. Runs 10 weeks until mid-November. The course typically requires between 4 and 10 hours per week — much more if you join the discussions and live webcasts. Enroll here: https://www.coursera.org/course/modernpoetry
A thought today on the way in which Tracie Morris looks forward and back simultaneously. Morris takes us into a future in which the various arts become indistinct not just programmatically (and disciplinarily) but in every single art piece, wherein the piece is a convergence of imagination, throat, song, history, movement, and improvised word-signifying – and somehow at the same time she returns to a past of the poem as a fundamental song of human culture as it emerged before the mere page did its dominating and excluding.
I am pleased to see that among the 2014 recipients of Pew Fellowships are:
Laynie Browne Browne explores and reinvents various poetic forms, including sonnets (Daily Sonnets, Counterpath, 2007) tales (The Scented Fox, Wave Books, 2007), and letters (The Desires of Letters, Counterpath, 2010).
Thomas Devaney A native Philadelphian and author of the newly released Calamity Jane (Furniture Press, 2014), Devaney takes inspiration from music and visual art, writing for the ear as well as the eye.
J.C. Todd Todd’s work complicates and contemporizes the longstanding tradition of war poetry, and investigates how war permeates human life and language.