Al Filreis

Dan Hoffman on 'The Raven' (video)

The late poet-critic Dan Hoffman, who years ago wrote Poe Poe Poe Poe Poe Poe Poe, talks about “The Raven” at the Kelly Writers House. (To see other clips from Writers House programs on YouTube, click here.)

Zero Visibility, by Grzegorz Wróblewski

Grzegorz Wróblewski’s new book, Zero Visibility, translated by Piotr Gwiazda*, has reached me — and I’m thrilled to have it. Wróblewski is constantly fascinating; he is often precise and whacky both. Many modes are here in this new book. One — perhaps my own favorite — is surrealist post-Soviet consciousness:

Cosmonauts

What was going through his mind when for the first time in his life
my dog saw a horse? He frozen like a statue, erect, hypnotized.

It was as if he had encountered a space alien.
He didn’t move until the horse disappeared over the horizon …

Lydia Davis on 'A Mown Lawn' (video)

On Tuesday, April 25, I had the honor of interviewing Lydia Davis. She had come to visit the Kelly Writers House as a Writers House Fellow. The program is associated with a seminar that I teach — in which the students and I read as many of the writings of the Fellow as we can. As I discussed Davis’s work with my students and KWH colleagues, I became fascinated by several micro-stories that particularly read like prose poems. “A Mown Lawn,” a series of permutative phrasings that moved forward from the vowel affinities of mown and lawn and riffed semantically as well (thus starting with suburban lawn care, moving through law-and-order conservatism and finally reaching imperialistic warfare), became a special fascination. 

On Tuesday, April 25, I had the honor of interviewing Lydia Davis. She had come to visit the Kelly Writers House as a Writers House Fellow. The program is associated with a seminar that I teach — in which the students and I read as many of the writings of the Fellow as we can. As I discussed Davis’s work with my students and KWH colleagues, I became fascinated by several micro-stories that particularly read like prose poems. “A Mown Lawn” is a series of permutative phrasings that progress from the vowel affinities of mown and lawn to semantic riffing as well — starting with suburban lawn care, moving through law-and-order conservatism and finally reaching imperialistic warfare. I was compelled by the poem’s radicalization of homonymic improvisation. Naturally, then, when I had a chance to interview its author, I asked her if she would be willing to read it, and comment. She describes this as one of just two explicitly political pieces.

Poetry across language

Julia Dasbach's letter to Anna

As part of the Poetry Across Languages event organized by Nick Martinez Defina, Julia Kolchinsky Dasbach shared an excerpt from a series exploring language and the meaning of home and reflecting on her own Ukrainian heritage. Held at the Kelly Writers House on April 6, 2017, this event explored translation, language, and identity across borders. 

Google's neural machine translation establishes 'spiritual connection' with Stein

Mark Liberman, a computational linguist who directs the Linguistic Data Consortium at the University of Pennsylvania, has been fascinated, especially in recent years, with experimental poetry. You can find his ideas and experiments at Language Log. He's been working on Stein's repetitions.