Tetahi atu he mihi mahana ki a katoa (Another warm greeting to all.)
In this, my last commentary post of this series - apart from a brief Coda next week - I want to talk about two distinct areas of the Aotearoa-New Zealand poetry scene that I have alluded to previously, but nor really covered copiously as yet.
If you've heard of Noemi Press, you're in good company! They answered my questions eagerly, and here are the details. If you're so inclined, after reading this, you can find their books online at http://www.noemipress.org. Read on to find out more!
a. How did Noemi get its start, and who was behind it?
From what I understand, Noemi was birthed in 2002 in the New Mexican desert, from necessity and inspiration. Carmen Giménez-Smith and Evan Lavender-Smith are our founders, with a generous & exciting board behind them.
A first reading, is it possible? I realize as I approach the poem how excited I am to open the package, find its surprise. This is what I expect when I read a poem. Poems are puzzles, and as I look upon this choicely narrow-looking “visual” stance, I want to jump in, but I stop myself: I do this a lot in my first close readings. Especially if the “look” of the poem immediately grabs me, as this one does: the title “And A Lie” suggests we are already in the middle of things, or at the end of a catalogue of “things.” And now a lie.