So if you were to flip through my personal copy of The Critique of Judgment and land on § 49 “On the Powers of the Mind Which Constitute Genius,” the most important pages to me as an undergraduate and graduate student, you would see that some classmate rudely crossed out the words “A poet” and replaced it with “Maggie” so that the sentence in my edition reads: “[Maggie] ventures to give sensible expression to rational ideas of invisible beings, the realm of the blessed, the realm of hell, eternity, creation, and so on.” (183) What does this mean?
This essay by Andrea Brady is the first of five “first readings” we will publish — initial responses to the experience of hearing Basil Bunting cover Thomas Wyatt’s “Blame Not My Lute.” The recording is linked here and also available at PennSound’s Bunting page. — A.F., B.R. & C.W.
Basil Bunting’s voice is so familiar – the Briggflatts intonation, half-Santa Claus, half-priest, that hieratic tone which makes Ezra Pound reach for his kettle drum; those luxurious rolling rs.
from Cristanne Miller, Myung Mi Kim, and Judith Goldman.
(I plan to be at the conference.)
*Please find below* a Call for Papers for a University at Buffalo English Department Poetics Program conference. This conference will be preceded by a Friday April 8 Robert Creeley Lecture. This is the inaugural lecture in what will become an annual lectureship in poetry and poetics, and in 2016 will include a community celebration and presenters on Creeley's translation into and reception by the French. More information about these events (free and open to the public) will be forthcoming at a later date. Please feel free to circulate the Call for Papers.