In their plenary at the recent conference of the Association for the Study of Literature and Environment, Anna Tsing and Donna Haraway oriented us toward the concept of a multi- species world making based on the ecological process of resurgence. Resurgence, they clarified, is the response to a “disturbance” – any quick ecological change, such as farming. They explained that in our management of ecosystems, we block resurgence – even though an ecosystem (and we humans) can’t survive without it.
...And in this attention to being, this quiet, this un-writing, we recognize beauty. The dead fly, the seen thing, the slowing.
Attention itself, and more importantly its transformative quality, is a necessary foundation to a clear vision of non-violence. We may understand that there is a relationship between aesthetic work and ethical work. As Elaine Scarry has noted, beauty can lead to an ethical attention that is “distributional” -- and she describes such beauty as pacific (82). Our encounter with beauty evokes a “radical decentering,” one that shifts our attention outward, unselfishly, to generosity of attention (109).
Translator as fulcrum: a point central or essential to an activity, an event, a situation. Clearly the model applies to any bilingual reading that depends on a translator to quarterback the event for an audience with limited or no ability to understand the writer’s original language.
However, this entry takes the notion of the fulcrum differently. Daniel Borzutzky has been developing a fulcrum poetics, one located among the activities & events & situations where poetry and translation balance off, moving against and with each other.
Readers, in my last post I began showing how examples in texts of aesthetic philosophy often betray universal human subjectivity to be limited to European white males. Last time I shared some examples from Kant. Today I’d like to go to one of Kant’s influences, Edmund Burke’s A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful from 1757. Should you ever be tasked with teaching aesthetics, I highly recommend this text. It will make your students irate and nothing is better for class discussion.
Composed between 1983 and 1985, Amanda Berenguer’s celebrated collection La Dama de Elche (The Lady of Elche) showcases her mature writing. Berenguer (1921-2010) resided in Uruguay, and the book is well known there. Yet La Dama de Elche was first published in Madrid in 1987.