A few years ago I wrote a piece entitled Toward an Aotearoa Poetic: a few suggestions about constructing a specifically Aotearoa poetic as opposed to the – then extant – mono-cultural, monolingual, monocentric monotonous model of what poetry is and means to many Kiwis.
Down the track of time somewhat and now living right back bang in the centre of this skinny country, my essential points still remain valid, given that my many generalizations in that piece remain exactly that: the piece requires modification and further reflection. It was never meant to be an ‘academic’ item either.
Andrew Whiteman (guitarist, composer, frontperson for Apostle of Hustle, etc.) is an enthusiastic promoter of the experimental poetry tradition, especially in Canada. He has collaborated with Ariel Engle in the board AroarA, which released the EP "In the Pines" based on the poetry of Alice Notley. He has just made available "Sonic Poetry - Investigative Poetry" as a YouTube video.
Proto es principio y ‘previo,’ lo anterior al efecto, al typo, que es error y tejido, texto. Hacer protos es hacer poemas en proceso, el preámbulo de la conciencia que como robopoeta es cyborg. Crear prototipos es unir lo real con lo ideal, lo irreal con lo posible. En palabra y objeto poético, en texto y vértigo lírico. Todo y posibilidad.
[Proto is beginning and ‘preliminary,’ the thing preceding the effect, the typo, which is error and textile, text. Making protos is making poems in process, the preamble to the cyborg awareness of the robopoet. Creating prototypes is uniting the real with the ideal, the irreal with the potential. In word and poetic object, in text and lyric vertigo.