The tenth anniversary conference of the Chinese/American Association for Poetry and Poetics will be held in Wuhan, China / December 7–10, 2018, hosted by Central China Normal University, Wuhan, China. Co-sponsored by Center for English Literatures of Central China Normal University, Foreign Literature Studies, International Journal of Poetry and Poetics, and Journal of Foreign Language and Literature
NOTE: FuturePanic encompasses macro and micro concerns to transform the reader’s sense of space and time and force them to engage with the present era’s perceptions of death, politics, and the border at which they meet. The opening (presented here and separately titled “Automata”) considers the Von Neumann Machine, an as-yet impossible organic machine designed to replicate itself across the galaxy over the next four hundred thousand years. Conceptual, expensive, and perplexing, the Von Neumann Machine raises questions present throughout FuturePanic — who benefits from the long reach of technology? How do the earth-bound conceive of transformation light years away? And how do mortals deign to simultaneously explore the potential for never-ending life at the cost of killing death for machines, while grappling with their own limitations — corporeal death, political conceit, and economic destruction of the world around them? Is the quest for knowledge that may outlast us all worth stargazing above the screams of others in the here and now and the cries of our own limited bodies and minds?
Bob Orr has been a well-regarded New Zealand poet for several decades, having eight collections of poetry produced to date, with a new collection due out soon. He is also rather different to so many ‘modern’ poets, in that he has always paddled his own poetic waka (or canoe) in and through his own currents. Oaring across his own ocean, if you will. Bob never completed any tertiary education. He never attended any university ‘creative writing’ classes in an endeavour to craft his poetry ‘better.’ Up until very recently, when he was the 2017 University of Waikato Writer in Residence, he eschewed any applications for literary grants. He rarely, if ever, uses a computer to write with or on — he doesn’t even have an email address.
[As I pass the ten-year mark of Poems and Poetics, I thought it appropriate to repost in celebration the initial offering in the series, first posted (on my blogger site only) on June 7, 2008. Published later that year as a small book from a resuscitated Hawk’s Well Press (my own first press from the 1960s). Copies of the original work can still be ordered, I believe, from Small Press Distribution. My own brief comments on our collaboration and Tobin’s more extensive description of her aims and working process follow the poems, below.