Commentaries

Joan Retallack: the reinvention of truth in Madison

In April, Joan Retallack visited Madison, Wisc., to give a lecture and a reading. The lecture was entitled "John Cage's Anarchic Harmony: A Poethical Wager," and the reading, introduced by Lynn Keller, included "Present Tensed," "The Reinvention of Truth," "Bosch Bookshelf," and "The Woman in the Chinese Room." We've made both lecture and reading available on PennSound, ready just yesterday.

new PoemTalk now out

The new episode of PoemTalk is now being released, our 18th podcast in a series that has featured 25-minute discussions among three poets, hosted by me, on single short poems by William Carlos Williams, Adrienne Rich, George Oppen, William Blake via Allen Ginsberg, Ted Berrigan, Jaap Blonk, Jerome Rothenberg, Rae Armantrout, John Ashbery, Gertrude Stein, Erica Hunt, Ezra Pound, Kathleen Fraser, Wallace Stevens, Lyn Hejinian, Robert Creeley, Rodrigo Toscano and now Lydia Davis. Lydia Davis a poet? Well, no, she's the writer of short-short stories, prose parables, prose-poems--you decide. Here's your link to the new episode.

The sort of person you imagine (PoemTalk #18)

Lydia Davis, "A Position at the University"

LISTEN TO THE SHOW

PoemTalk finally goes squarely at the question of authenticity, and - wouldn’t you know it? – we do so through a piece that is not in any conventional sense a poem. Lydia Davis’ “A Position at the University” (published with other similar short prose pieces in Almost No Memory) suggests to Jessica Lowenthal that on this day our show was “PoemProseTalk.” Fair enough. Is it a very short story – in the mode of what we call “fiction”? Not really. Is it a poetic parable in prose? (It struck Al at one point as very much like a pondering paragraph from Wittgenstein’s Philosophical Investigations.) Thank goodness we brought sociologist David Grazian along. David observes that this piece is like an ethnographic field note. A field note that observes the following: In daily life, authenticity functions the way imagination does. What advantage is derived by writing about authenticity in this linguistically circular manner, in the grammar of mild-seeming discontent? Well, for one thing, it stipulates a poetics; the language of the piece makes us acutely aware as we read or listen that anxiety is the close kin of identity, because identity-naming is always partial whereas the named/identified subject is always hoping for wholeness. That discrepancy – that difference – creates a weird aura, and perhaps this is why Adrian Khactu senses that this piece belongs in the category of mundane SF, the newish sci fi mode in which there are no monsters, scientific abnormalities, cruel transformations. Perhaps the cruelest transformation is what happens every day when a person who thinks of herself in one way is assumed to have a “position” otherwise.

Here is a link to PennSound’s Lydia Davis page, and here is a link to the recording of her reading “A Position at the University” at the Kelly Writers House in 1999. And here is a link to the text. At left, left to right: David Grazian, Jessica Lowenthal, Adrian Khactu.

The director and engineer for this episode of PoemTalk was James LaMarre, and our editor, as always, is Steve McLaughlin. We're always grateful to Mark Lindsay, too, who on this occasion bailed us out of some sort of technical difficulty, major for us, minor for him.

late late spring in Fialta

I am generally a disciplined reader. I read one book at a time. At most: two. I start and finish, start and finish. The exceptional time of year is now - late May, early June. The end-of-summer deadlines don't press quite yet (after July 4 they do and will). I am reaching for the shelf of books that piled up over the year, with more enthusiasm about reading than I ever otherwise feel. It's why I got into the work I'm in. This year I've gone especially wild. I am reading, in mostly random rotation, all these now:

- Vladimir Nabokov's 1936 story, "Spring in Fialta"
- Vertov from Z to A eds. Ahwesh & Sanborn
- Joyce Carol Oates' newest collection of stories, Dear Husband,
- Wallace Stevens across the Atlantic
- Jeff Toobin's The Nine, gearing up for the Supreme Court nomination hearings
- David Milch's Stories of the Black Hills
- Walter Kirn's anti-meritocracy memoir
- Norman Mailer's huge Hitler/devil novel, The Castle in the Forest

Milch's complex cops

Thanks to Allison Harris, I now have put together a list and quick summary of episodes of NYPD Blue written by David Milch -- those for which, at least, he officially received credit. (There's little doubt, early in the show's run, that he had a big hand in all episodes.)