In 1999 I helped bring out a new edition of a fabulous noir-ish novel by Ira Wolfert, called Tucker's People (1943). Now Google Books has made the text of this book - including my introduction - available on the web. Go here and read. One of the novel's ideas: the underside of the American economy is fascist. (See an earlier post.)
We're just created a new iTunes channel for a selection of audio recordings of entire Writers House programs. So far there are 35 such recordings, ranging from PhillyTalks (two avant-garde poets reading poems and interacting) to a Kennedy clan memoirist chatting over lunch about the familial basis of his addictions. Go to your iTunes music store and type "Kelly Writers House" in the searchbox. Choose "Kelly Writers House Programs" and hit "subscribe." Or just follow this link and you'll be taken directly to our new channel in your iTunes.
Frank Cieciorka, the man who designed the fist emblem for the New Left, died on Monday. He was an early opponent of American involvement in Vietnam, opposed the Johnson intervenion in the Dominican Republic, went to Mississippi during Freedom Summer in '64, became a field secretary for SNCC.
When he returned north after Freedom Summer he made a first woodcut of the now-famous fist, modeling it (of course) on previous 20th-century leftist fists. Only later did he realize that the design was being adopted everywhere and by seemingly everyone. His version of the first for the 1967 Stop the Draft Week was the one that really became iconic.
From the New York Times obit: Mr. Cieciorka had seen the clenched-fist salute when he participated in a Socialist rally in San Francisco. When he returned from Mississippi, “the fist was a natural for the first woodcut in a series of cheap prints,” he noted in an interview with Lincoln Cushing, a political art archivist and historian. “It wasn’t until we made it into a button and tossed thousands of them into crowds at rallies and demonstrations that it really became popular,” he continued.
Later he did watercolors and painted rural California landscapes.
Dick Polman in his daily American Debate blog writes about Barack Obama 2.0, the (alleged) remaking of presidential communication with the people through e-interactivity. I tend to feel the same skepticism Polman does: "[A]s for this idea of engaging in a two-way online conversation, with feedback from citizen participants . . . well, we shall see. Speaking from firsthand experience, I can stipulate that the online world is particularly unruly, a virtual Wild West where the perpetually aggrieved shoot first and think later, if at all."