This commentary series has traced out just a few implications of bio-poetic work, and speculated on some of its futures. For all of the potential recklessness of such tampering and tinkering with genes and molecules, Steve Tomasula also imagines a “Midrash” of bio-ethics being forged, or at least illuminated, by the collective endeavors of genetic artists. Such work does much more than merely illustrate bio-tech capabilities; it performs an embodied auto-critique in which genes and bodies are put at deliberate and provocative risk.
[Written during the Reagan administration as “A Poem for the Cruel Majority” & a counter to talk then about “the silent majority” & its rising place in our national politics. The result of the recent election, in which a minority of the electorate brought Donald J. Trump into office, caused me to rethink & to reword the earlier designation. If further changes are needed (& they will be), I’ll think about it. (J. R.)]