In “Composition as Explanation” Gertrude Stein writes: “The only thing that is different from one time to another is what is seen and what is seen depends upon how everybody is doing everything.” .
Lydia Davis is a writer who is a great influence and inspiration to “everyone,” when everyone includes readers of experimental fiction as well as a myriad of poets “doing everything.” Davis is a master of short fiction and extremely short fiction, as well as a celebrated translator, novelist and poet.
At a recent reading at Bryn Mawr College, Davis addressed the audience at first by noting the grandeur of the room. She said, “I’ll just stand here and be impressed for a while.”
I’m going to start simply by telling the story of the banner image for this commentary.
Anna Everett was a young woman from Washington, D.C., who moved to Buffalo, N.Y., in the early 1970s to live with relatives while finishing her high school education. As a new student, she was sent to Lafayette High School, which was only then being integrated. If you’ve read about the integration and bussing battles of that era, you can well imagine the challenges she faced. There weren't attacks on school buses by angry mobs as in Boston, but there were groups of white parents picketing the approach to the school and making it abundantly clear to the small group of black students that they were not welcomed by all. With all deliberate speed, Everett set about making her mark at Lafayette.
In May of 1992, Kimberly Lyons gave a Segue Series reading at the Ear Inn in New York. As of today (thanks to PennSound’s Anna Zalakostas) this reading by Lyons, and several others, have been segmented. Among the poems Lyons read at the Ear Inn in ’92: “Looking for Mina Loy” [MP3].