Commentaries

"In truth the subtle web of thought/is like the weaver's fabric wrought"

Image from a 1987 French-English Visual Dictionary, courtesy of Matthew Baird
Image from a 1987 French-English Visual Dictionary, courtesy of Matthew Baird

“Both science and art form in the course of the centuries a human language by which we can speak about the more remote parts of reality, and the coherent sets of concepts as well as the different styles of art are different words or groups of words in this language.” –Werner Heisenberg, Physics and Philosophy (1958)

Will Alexander: from “The Ganges,” excerpt with glossary

[The following is an excerpt from a long poem, “The Ganges,” which runs around a hundred pages & is itself a third of a giant book entitled The Combustion Cycle. The book contains two other poems, “Concerning The Henbane Bird,” & “On Solar Physiology,” the former in the voice of a hummingbird, the Andean Hillstar, &  the latter spoken in the voice of an Angolan shaman. As for “The Ganges,” Alexander tells us, “it pours from the voice of an untouchable.” 

BIG SENSIBLE, introductory remarks on Hannah Weiner's Clairvoyant Journal by Patrick Durgin

for new Bat editions publication

photo by Nelson Howe, c. 1975

Hannah Weiner's Clairvoyant Journal is the last in a series of autobiographical texts. The Fast, Country Girl, Pictures and Early Words, and BIG WORDS precede it. This series begins with her first written account of visionary experiences that would develop over the 1970s, years during which Weiner invented a unique literary form to portray them. The series culminates in this invention.

After before...

Joel Felix on possibility, poetry and hope....

Joel Felix, Limbs of the Apple Tree Never Die (Verge Books, 2013), 90 pp. $15.00—Imagine that Russell Atkins had a child with Charles Olson, midwifed by Laura Riding. That might be Joel Felix.  His first book is a moving meditation on the impossibility and necessity of poetry, on history as “enslavement without end,” and the possibility, however unlikely, that there remains, its brutalities notwithstanding, a truth-telling residue in language.

Towards a total art...

the poetry, drama, art, music and musings of Mendi and Keith Obadike

Big House/Disclosure installation

Mendi and Keith Obadike, Four Electric Ghosts (1913 Press, 2009, 2011), 189 pp.; Big House/ Disclosure (1913 Press, 2014), 102 pp.—Despite the first, rather interesting, thirty-four pages of storytelling, Four Electric Ghosts is essentially a catalog of what appears to be an Afro-Futurist-inspired opera, at least in terms of its setting and design (disclosure: I’ve not had the opportunity to see any of the Obadikes' theatrical productions).