queer poetics

Performing crip/queer survival

Leah Lakshmi Piepzna-Samarasinha's 'Bodymap'

Leah Lakshmi Piepzna-Samarasinha’s new book of poetry, Bodymap, insists we understand technology as “the practical application of knowledge.” This makes it possible for us to view survival as a set of skills and aesthetics, not as an end. Bodymap is a performance and a text, a love song to and an archive of working-class femme-of-color disabled experiences. Lakshmi Piepzna-Samarasinha uses her hybrid poetic form and structure to center assistance and interdependency as a site of politicized cultural knowledge production, equipping oppressed individuals and communities with a multiplicity of generative “methods.”

'The succession of syndromes'

A review of erica kaufman's 'INSTANT CLASSIC'

In the beginning, I could not face INSTANT CLASSIC directly. Too bright, I could only handle it in bits, my gaze slightly averted. From this peripheral place, kaufman’s book followed me. I carried it with me on the subway, slept with it beside the bed. I gathered what felt like relevant books and films around me. Talismanic. I kept INSTANT CLASSIC, and kaufman, in mind. And then, I could not look away.

Ng Yi-Sheng

On performance, queer activism, and speaking through the gag

Ng Yi-Sheng
Ng Yi-Sheng

Ng Yi-Sheng is a poet, fictionist, playwright, journalist and activist. He is the youngest winner of the Singapore Literature Prize (for his debut poetry collection, last boy). His second collection, Anthems (2014), consists of slam poetry works. His other publications include the bestselling non-fiction book, SQ21: Singapore Queers in the 21st Century, and a novelisation of the Singapore gangster movie, Eating Air. He also co-edited  and Eastern Heathens: An Anthology of Subverted Asian Folklore. He has recently completed his MA in the University of East Anglia’s creative writing programme.

Stein's wedding cake

Rachel Blau DuPlessis with the Italian edition of Stein's 'Tender Buttons,' published by Liberilibri in Macerata in 1989 and 2006, translated by Marina Morbiducci and Edward G. Lynch, with an introduction by Nadia Fusini.

How can Stein’s Tender Buttons be one hundred years old? We are still eating the buttercream frosting and rosebuds from that three-tiered cake: “Objects,” “Food,” “Rooms.”

Playing Stein

'Roastbeef,' by Kate Huh.
'Roastbeef,' by Kate Huh.

Tender Buttons is the future. Neither cipher nor code, the grammar of Tender Buttons forces the reader to play Stein. Stein’s obsession with perspective, her collection of objects, food, rooms, produces a scene of constraints (the rules of the game): a discrete spatial field where coordinates shift as the text’s gravity swerves. A game board. No, a bored game.

A proliferation of differences

A review of 'Troubling the Line'

In Troubling the Line: Trans and Genderqueer Poetry and Poetics, the first anthology of its kind, editors TC Tolbert and Trace Peterson have included a wide diversity of aesthetic and social perspectives.

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