postbop

Words that bleed music

Postbop jazz in the poetry of Amiri Baraka and Nathaniel Mackey

Left: Nathaniel Mackey at Vision Festival, New York, 2015, courtesy of Nathaniel Mackey. Right: Amiri Baraka at the Malcom X Festival, San Antonio Park, Oakland, California, May 2007. Photo by David Sasaki via Wikimedia Commons.

In his preface to Blue Fasa (2015), Nathaniel Mackey reflects on what is arguably the key preoccupation in his oeuvre: the relationship between music and language. Mackey’s comments emerge out of a sense of disquiet with the way the two modes of communication are often presumed remote from the other by today’s artists and scholars.

Syndicate content