Matt Longabucco

The hurts of wanting the impossible

A review of 'Supplication: Selected Poems of John Wieners'

Photo of John Wieners (right) by Allen Ginsberg.

Shortly after the sad news of her death, I went to a screening of Chantal Akerman’s last film, No Home Movie.[1] The woman who introduced the film assured us — twice — that Akerman’s work is “unsentimental.” I considered the value of her insisting on this as on screen Akerman’s camera sat fixed upon her aged mother reminiscing, doing chores, and towards the end trying to eat a meal — with the help of a condescending nurse — in the grip of an unsettlingly deep and chronic cough.

The thing that doesn't fail

On Stephanie Young's 'Ursula or University'

Stephanie Young’s Ursula or University begins, “I guess it’s too late ...” and (nearly) ends, “It can be never for a very, very long time. And then it can be now.” In between, Young hovers and waits, worries and writes, enmeshed in a Bay Area poetry community that, to her, crackles with potential seismic energy she nevertheless fears may forever fail to unleash the earthquake that would justify its pressures and change the topography of power and privilege whose violence mars the utopia she can almost grasp.

Syndicate content