Gaston Bachelard

Shared dendrochronologies: Andrew Schelling on poetry, translation, & the aliveness of wor(l)ds

Giant sequoia cross-section, Arizona State Museum | University of Arizona
Giant sequoia cross-section, Arizona State Museum | University of Arizona

 A few summers ago, I took a walk one evening to find a California redwood 5,600 miles from home. Sequoia sempervirens, the sign said, Latin for ever green or everlasting, which is to say such trees are both non-deciduous and among the oldest living things on Earth. Located in the Jardin des Prébendes, a few blocks from the French city center of Tours, this particular sequoia was a mere 150 years old, but had I seen it towering somewhere north along my own Pacific coast, it couldn't have been more wondrous.

Strange wanderings: Claire Eder translates Christian Prigent

The necropolis at Cerveteri
The necropolis at Cerveteri

Apples fall from tree branches, and vibrations of colliding stars pass through light years. Such do gravitational forces magnify quotidian wonders. How best for earth-bound travelers to cross curvatures of time and space? Poet Claire Eder ventures into an ancient city of the dead to translate another poet's voyage and happens upon inexplicable strangeness from atop a library perch. “Not everyone is given access to this other world where the dead and the dying live,” Hélène Cixous reminds us, mortal humans, in "The School of Dreams." But if we cannot reasonably be guests of the dead while we are still living, we might still “go there by dreaming.”

Apples fall from tree branches, and vibrations of colliding stars pass through light years. Such do gravitational forces magnify quotidian wonders. How best for earth-bound travelers to cross curvatures of time and space? Poet Claire Eder ventures into an ancient city of the dead to translate another poet's voyage and happens upon inexplicable strangeness from atop a library perch.

"Not everyone is given access to this other world where the dead and the dying live," Hélène Cixous reminds us, mortal humans, in "The School of Dreams." But if we cannot reasonably be guests of the dead while we are still living, we might still, Cixous suggests, "go there by dreaming."

Andrée Chedid and the alchemy of poetry

« Les vivants » (“The Living”) is the second sequence in the poetry triptych that comprises Andrée Chedid’s 1956 work, Terre et poésie (Earth and Poetry).

Syndicate content