Bauhaus

'The woman is here to stay'

A review of 'A Doll for Throwing' by Mary Jo Bang

Photo of Mary Jo Bang (left) by Yuri Marder.

As she did in her 2004 collection, The Eye Like a Strange Balloon (Grove Press), Mary Jo Bang once again calls on her visual vocabulary — and background as a photographer — to portray various aspects of the Bauhaus, the short-lived German art school: its utopian vision, its Nazi-led shutdown in 1933, and its undeniable legacy. 

As she did in her 2004 collection, The Eye Like a Strange Balloon (Grove Press), Mary Jo Bang once again calls on her visual vocabulary — and background as a photographer — to portray various aspects of the Bauhaus, the short-lived German art school: its utopian vision, its Nazi-led shutdown in 1933, and its undeniable legacy.

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