Whenever I think I might be being too thin in my thinking about aesthetic practice, someone says something in agreement with my thoughts, though more bookishly and then I see that I’m right, even in my simplicity. Like when I was procrastinating this weekend on writing on my promised account of Hurston’s Mules and Men I went on twitter where Anne Boyer tweeted this quote from Pierre Macherey: “To deprive the bourgeoisie not of its art but of its concept of art, this is the precondition of a revolutionary argument.” I like this sentence because of the “its” and the “its concept of.”
Of all the new writing I’ve encountered in the last few years, Aaron Winslow’s is certainly a favorite. It’s post-apocalyptic, full of body issues, and the prose itself, the way it's written, is hilarious — it’s the kind of comic relief I need after a long day at my own job of the great misery. Aaron himself is pretty funny but also pretty humble, so instead of interviewing him I convened a roundtable. I didn't tell our panelists why I chose them — didn't want to put any pressure on — but each of them delivered here exactly what — even more actually — than I had imiagined. I knew these three would produce a great conversational balance together — and you'll see below they did.